Search results for 'radio'

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Frequently Asked Questions: Digital Work 

How does digital work differ from its analogue forms?

Although developed for military and corporate purposes, digital technologies also create oportunites for working people. With these amazing tools, we are not only able to invent new aesthetic forms, but also can work in more satisfying ways. Above all, digital technologies can allow us to rediscover the dignity of artisan labour without losing the material benefits delivered by the analogue working methods of Fordism. Over the past two centuries, industrialisation has slowly replaced skilled craft labour with repetitive factory and office work. In the Fordist factory, even the pace of working can be determined by the speed of the assembly lines. For most of this century, people have grudgingly accepted the boring nature of their jobs. In return, they have been given enough wages to buy large amounts of goods and services produced by Fordist industrialisation. However, once their living standards are sufficient, most people also want to enjoy satisfaction in their work. They don't just want money, but also respect.

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    Oct. 29 #RobinHood Global March 

    "We take from the rich and give to the poor.

    Alright you redeemers, rebels and radicals out there,

    We're living through a magical moment ... #OCCUPYWALLSTREET has catalyzed into an international insurgency for democracy ...  the mood at our assemblies is electric ... people who go there are drawn into a Gandhian spirit of camaraderie and hope for a new kind of future. Across the globe the 99% are marching! You have inspired more than you know."

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    Welcoming the Iraqi Invasion Act 

    On the occasion of the action by refugees-on-the-street who started a camp outside the Collective Center at Ter Apel in the north of the Netherlands on the 8th of May, Jo van der Spek of M2M wrote the following column. These migrants are supposed to return voluntarily to their country, because the Dutch government believes that they are not in danger there. However the governemnt in Iraq refuses to take them back if they are forced. So they have nowhere to go to, no right to be here and no way to go there. But they act together for a chance to live and live better than before. Why not?

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    Tactical Media After 9-11 

    It is tempting to portray '9-11' as a turning point. Gore Vidal warns that, since September 11, the US is in danger of turning into a "seedy imperial state." Make war, not politics. The new patriotism requires: "Disruption, including obstructing the view or hearing of others, will not be tolerated." The list of measures to restrict civil liberties, freedom of speech and privacy, or what?s left of it, doesn?t stop. A recent conference in Perth concluded that post-September 11 reporting adds to divisions and stereotypes. "The media's failure to provide more perspectives to news consumers and ask critical questions is fuelling a culture of fear and blame around the world, experts say."

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    The Art of Campaigning 

    The idea for the Art of Campaigning topic originates from the works of the McLibel group [www.mcspotlight.org]. Their type of net.campaign questions previous forms of activism, which was focused on the mass media and their ability to influence public opinion, by staging direct action (targeted at known media makers). Big NGO's such as Greenpeace have built up experiences with this model for decades. The scenarios they use have not changed much since the seventies. There is the usual PR material: official reports, books, folders, flyers, magazine and original video footage, shot on location. Campaigns are being planned long in advance. The way of working does not differ much from a campaign to launch a new product. Professionalism has taken over the task of volunteers. Their role is being reduced to that of a local support group, doing the actual grass roots work with the population.

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      Crisis / Media 

      Sarai-Waag Workshop at Sarai-CSDS, Delhi March 3-5, 2003

      "The hottest place in hell is reserved for those who tried to stay neutral in times of crisis..."
      - The Inferno, Dante Alighieri

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      Blackout-proof the protests 

      "Dear friends,

      Across the Middle East -- in Bahrain, Libya, Yemen, and more countries every day -- autocratic regimes are trying to crush unprecedented peaceful protests with brutality and blackouts. These countries are poised on the brink between liberation and enormous bloodshed -- and the protesters' ability to reach the eyes of the world could determine the outcomes.

      Avaaz is working urgently to "blackout-proof" the protests -- with secure satellite modems and phones, tiny video cameras, and portable radio transmitters, plus expert support teams on the ground -- to enable activists to broadcast live video feeds even during internet and phone blackouts and ensure the oxygen of international attention fuels their courageous movements for change."

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      At the End of the Tyrolean Way - re: "Elections are a Con" 

      "My 'Wahlen sind Betrug' ('Elections are a Con') poster project was selected in November 2011 by a jury using an exemplary open process for the TKI open competition by TKI (Tiroler Kulturinitiativen) on 'No theme'. For the first time in the 10-year history of TKI open, the province of Tyrol (Austria) denied funding for an artistic work selected by a jury of experts.

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      BLF Manifesto 

      In the beginning was the Ad. The Ad was brought to the consumer by the Advertiser. Desire, self worth, self image, ambition, hope; all find their genesis in the Ad. Through the Ad and the intent of the Advertiser we form our ideas and learn the myths that make us into what we are as a people. That this method of self definition displaced the earlier methods is beyond debate. It is now clear that the Ad holds the most esteemed position in our cosmology.

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      Reclaim the Streets: The Film and Other Media Tactics 

      The Disorganisation

      Reclaim the Streets (RtS) cannot be understood as a campaign, although some of its methods are very similar. There are now RtS groups in thirty cities organising illegal street parties. Most of these groups only exist for the event, and many of the activists are involved in local campaigns during the rest of the year. There is no membership or official line although many would like to see a wider global strategy. As a movement, RtS is only four years old, and it could grow in unpredictable ways.

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      PGO - The Post-Governmental Organisation 

      One of the four main themes of the N5M3 is the 'Post-Governmental Organisation', a title that is meant more polemically than descriptively. The 'PGO' label raises the question of the practical, political and ethical impli cations of strong, potentially global, independent organisations. The theme will be approached from different critical, analytical and ironic perspectives in a public debate, and the PGO Design-Show ("Get Organised!").

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