CUZ I CALL HIM THE TERRORIST
D.I.V.A. Target City Hall
Dansen voor de Vrede /Dancing for Peace
Dark Markets: Infopolitics, Electronic Media and Democracy in Times of Crisis
Day Out
De Aardappeloproer van Nieuwe Pekela /The Potatoe Riot of Nieuwe Pekela
De oorlog is stout (The war is naughty)
De quantos numeros e algumas letras precisamos para funcionar?
Brazilian journalist visits some families who fit into neither of the prevaling Brazilian stereotypes; luxurious living or desperate poverty. He visits the Patazos Indian tribe of Barra Velha, the black population of Salvador, inclufing the music group Olodum, sees the influence of Catholicism on the community of Tiradentes, and lastly visits a collective farm at Sarandi, which Mader presents as a symbol of hope for a country ravaged by political corruption and economic inequality.
Director: Roberto Mader.
APT Film and Television
UK, 1992
