Chobi Mela VI International Festival of Photography, Bangladesh
PRESS RELEASE
Chobi Mela VI to Open a Portal to a Restive World of Dreams
"All that we value, that we strive to uphold, all that gives us strength, has been made of dreams"
PRESS RELEASE
Chobi Mela VI to Open a Portal to a Restive World of Dreams
"All that we value, that we strive to uphold, all that gives us strength, has been made of dreams"
Wikileaks began on Sunday November 28th publishing 251,287 leaked United States embassy cables, the largest set of confidential documents ever to be released into the public domain. The documents will give people around the world an unprecedented insight into US Government foreign activities.
ReadCollaborative Futures is a collaboratively authored book about the theory and practice of collaboration, with a focus on social media and peer-production. The true nature of collaborative culture as a form of creative expression in the context of digital and network technologies has remained elusive, a buzzword often falling prey to corporate and ideological interests.
"At 5pm EST Friday 22nd October 2010 WikiLeaks released the largest classified military leak in history. The 391,832 reports ('The Iraq War Logs'), document the war and occupation in Iraq, from 1st January 2004 to 31st December 2009 (except for the months of May 2004 and March 2009) as told by soldiers in the United States Army. Each is a 'SIGACT' or Significant Action in the war. They detail events as seen and heard by the US military troops on the ground in Iraq and are the first real glimpse into the secret history of the war that the United States government has been privy to throughout.
ReadPlease join Not An Alternative, Eyebeam Art and Technology Center, and
Upgrade NY! this Thursday, June 10 for the opening of Re:Group: Beyond
Models of Consensus, an exhibition which examines models of
participation and participation as a model in art and activism.
Re:Group proposes that with participation now a dominant paradigm,
structuring social interaction, art, activism, the architecture of the
city, the internet, and the economy, we are all integrated into
participatory structures whether we want to be or not. The exhibition
showcases work that subverts existing systems or envisions new
alternatives to the ways in which individuals can take part, or choose
not to take part, in social and cultural life.
World-Information.Org is an trans-national cultural intelligence provider, a collaborative effort of artists, scientists and technicians. It is a practical example for a technical and contextual environment for cultural production and an independent platform of critical media intelligence.
World-Information City is a one-week programme of events addressing global issues of intellectual property and technology in conjunction with changing urban landscapes.
ReadWorld-Information.Org is an trans-national cultural intelligence provider, a collaborative effort of artists, scientists and technicians. It is a practical example for a technical and contextual environment for cultural production and an independent platform of critical media intelligence.
ReadWorld-Information.Org is an trans-national cultural intelligence provider, a collaborative effort of artists, scientists and technicians. It is a practical example for a technical and contextual environment for cultural production and an independent platform of critical media intelligence.
ReadIn winter 2000 the World-Information Exhibition took place in Vienna's Technical Museum.
ReadThe Vienna Institute for New Culture Technologies / t0 was invited by the organizers of the European City of Culture Brussels 2000 to stage the lead project of the new media program.
ReadThe Next Five Minutes is a conference, exhibition and tv program taking place between 8th and 10th January 1993 in Amsterdam, that wants to leave behind the rigid dichotomy between the mainstream, commercial and national tv on one hand and marginal independent tv on the other. Although these differences may still be important, N5M wants to focus on tv-makers crossing the borders of tv-making and going into the spaces that the tv-world still has to offer.
ReadSarai-Waag Workshop at Sarai-CSDS, Delhi March 3-5, 2003
"The hottest place in hell is reserved for those who tried to stay neutral in times of crisis..."
- The Inferno, Dante Alighieri
Due to the impact of the cloud of volcanic ashes that lead to the cancellation of flights across Europe the 10th edition of the Dictionary of War will not take place on April 17th, 2010 in Trondheim (Norway). It will be postponed to a later date in the course of the exhibition "Manufacturing Today".
ReadOn Saturday, September 26th 2009, 11 am, the "Cities and the New Wars" conference organized by Saskia Sassen will host the 9th edition of the Dictionary of War.
ReadTaipei Edition: October 24th and 25th, 2008
ReadBolzano Edition: September 20th and 21st 2008
First organized in 2006, Dictionary of War is a collaborative platform for creating concepts on the topic of "war", to be invented, arranged and presented at a public, two-day event. The aim is to introduce a series of concepts that either play an important role in the contemporary discourse of war, have so far been neglected, or have yet to be created.
The Dictionary of War proceeds with a 6th edition at the opening of the Gwangju Biennale, in Gwangju, Korea. For the first time outside of Europe this edition takes place in the city of the Gwangju civil uprising of May 18, 1980, and in a country that is still in state of war.
ReadAfter a one year break the DICTIONARY OF WAR continues with a fifth edition on January 25th and 26th, 2008 in Novi Sad, Serbia. Again 25 new concepts on the topic of war will be presented in alphabetical order by artists, theorists, filmmakers, scientists, researchers. Loosely based on the slogan: "At least, when we create concepts, we are doing something" DICTIONARY OF WAR is a collaborative platform for creating concepts.
ReadA to Z: The Precarious Alphabet of War
War, in the broadest sense, is a battle about the power to define and definitions, that are not carried out at the center of words but at their very margins. But what can words do, as soon as the state of war has become a rule and a normality worldwide?