Contestational Robotics
Keywords: robots / contestation / public space / expression management
Keywords: robots / contestation / public space / expression management
Pirate signals from the margins
ReadAn Interview with John Jordan and Gavin Grindon
Furtherfield interview with Gavin Grindon and John Jordan from the
Laboratory of Insurrectionary Imagination about the User's Guide to
(Demanding) the Impossible. Published by Minor Compositions.
I.
We start with the current strategy debates of the so-called 'anti-globalisation movement', the biggest emerging political force for decades. In Part II we will look into strategies of critical new media culture in the post-speculative phase after dotcommania. Four phases of the global movement are becoming visible, all of which have distinct political, artistic and aesthetic qualities.
Access / Bandwidth / Code / Data / Ensemble / Fractal / Gift / Heterogeneous / Iteration / Journal / Kernel / Liminal / Meme / Nodes / Orbit / Portability / Quotidian / Rescension / Site / Tools / Ubiquity / Vector / Web / Xenophilly / Yarn / Zone
An attempt to provisionally theorize the emergence of new subjectivities in the early stages of the coronavirus pandemic.
ReadRepublished with permission from metamute / Mute Magazine in London:
Moving beyond the conceptual polarisation of tight-knit vanguardist
parties and loose-tie virtual networks, Rodrigo Nunes sifts the residue
of last year's wave of revolts to produce a more nuanced picture of
organisational dynamics in the age of Web 2.0
Andrew Boyd is an author, humorist and veteran of creative campaigns for social change.
ReadOrganiser, networker and writer, based in Cluj. Born in Bucharest, Romania, grew up in New York. Ex-philosopher, media theorist and freelance organizer.
Read"The darkest, hottest place in hell waits for that repulsive angel choir
Which, at the hour when crisis strikes, sings equivocal, neutral songs".
Dante, Inferno, Canto III.
That guerrilla video is now the subject of historical reflection is
probably a sign of its demise. There has been a recent flurry of
archival and publishing activity centering on experiments made in the
'70s. In 1997, the Chicago-based Video Data Bank released Surveying the
First Decade, a compilation of work from the early days of video, and
Oxford University Press published Deirdre Boyle's Subject to Change:
Guerrilla Television Revisited, the definitive study of the video
movements of the late 1960s and '70s. These reflections on the utopian
impulse in early video provide an opportunity to think about the
present state of media in this country, in particular those movements
that have attempted to create electronic space for non-commercial views
that run counter to the mainstream.
Every so often, a technology or protocol emerges that is touted as a ?magic bullet? either by the company or consortium promoting it or a core group of enthusiasts using it. Examples of this are WAP, OS/2, ISDN etc? The technology is initially promoted as having ?earth-changing? significance that will revolutionize the way things are done. Eventually most of these either fall by the wayside or take their rightful place as effective [but less hyped] mainstream tools in a much larger toolbox of solutions. The problem with the magic bullet approach is that it over-promotes particular technologies and often obfuscating the real benefits they could provide if evaluated and positioned in a more realistic context. For the for-profit community investing in failed magic bullets, the fallout is typically nothing more than an unfortunate R&D decision which can be expensed before moving on to the next IT investment.
Read"Contemporary civilization differs in one particularly distinctive feature from those which preceded it: speed. The change has come about within a generation," noted the historian Marc Bloch, writing in the nineteen-thirties. This situation brings in its wake a second feature: the accident. The progressive spread of catastrophic events do not just affect current reality, but produce anxiety and anguish for coming generations.
ReadThe Situationist Movement can be seen as an artistic avant-garde, as an experimental investigation of possible ways for freely constructing everyday life, and as a contribution to the theoretical and practical development of a new revolutionary contestation. From now on, any fundamental cultural creation, as well as any qualitative transformation of society, is contingent on the continued development of this sort of interrelated approach.
ReadThis text was written in July 2003, at the height of the tension on the border between India and Pakistan. Following elections in Pakistan, and in the Indian administered part of Kashmir, the two countries have agreed to de-escalate and troops on both sides are now on their way back to "peace time" positions. Relations between the two governments however, continue to be tense.
ReadWritten for Interstanding - Understanding INteractivity conference, Tallinn, Estonia November 23-25, 1995 - RFC Draft 1.1
Utopian ideas - like "Spaceship Earth" - are round, multidimensional, interrelated: their archetypal map is the Milky Way, the infinite constellations. But rational thinking is instrumental, linear, it distorts: and that's exactly the problem with the Mercator map, the most common world projection. Buckminster Fuller, inventor of the geodesic dome, created a "Dymaxion map" to undo those distortions. First the earth becomes a geometric figure, an isocahedron: its 20 triangles are then disjointed and laid flat, so the land masses radiate from a nexus in the north, without splitting continents or enlarging the polar regions.
The punk band Pussy Riot, which I belong to, is a musical group that conducts unexpected performances in different urban spaces. Pussy Riot's songs address topical political issues. The interests of the group members are: political activism, ecology, and the elimination of authoritarian tendencies in the Russian state system through the creation of the civil society.
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