Working with new media in the part of South Asia that I come from is something like crossing a tightrope on a bicycle. The bicycle which could have helped me along were I on my way on flat ground makes the crossing that much more precarious. Consider the bicycle to be the single computer and the internet connection which I use along with at least seventeen other people, friends, colleagues, neighbours and complete strangers.
ReadThe Negative Dialectics of the Net
In his essay, "Presenting the Unpresentable: The Sublime", Jean-François Lyotard observes that capitalism, technoscience and the pictorial avant-garde of the twentieth century share an 'affinity to infinity'. All three point towards a sensibility that is constitutive for the experience of the modern world.
We've had the camcorder revolution. It made making videoprograms
cheaper. Audio-equipment is affordable, so radiomaking is possible for
a large amount of people too. So for a long time already the masses are
potential mediaproducers. There were only minor successes in accessing
the broadcast channels both legally and illegally. But the efficient
one-to-many distribution system (radio and tv) are chocked, regulated,
hard to get access to. The Internet having the capacity for streaming
media seems to promise new possibilities. Boundless access, for anyone
making radio, and maybe in the near future TV. Some are pessimistic,
and see these channels soon closed and regulated as well. What will
this streaming media look like and who will be streaming?
Overview and manifesto of urban tv movements in Italy
"The darkest, hottest place in hell waits for that repulsive angel choir
Which, at the hour when crisis strikes, sings equivocal, neutral songs".
Dante, Inferno, Canto III.
At first glance the concept of "organised networks" appears oxymoronic. In technical terms, all networks are organised. There are founders, administrators, moderators and active members who all take up roles. Think also back to the early work on cybernetics and the "second order" cybernetics of Bateson and others. Networks consist of mobile relations whose arrangement at any particular time is shaped by the "constitutive outside" of feedback or noise.[1] The order of networks is made up of a continuum of relations governed by interests, passions, affects and pragmatic necessities of different actors. The network of relations is never static, but this is not to be mistaken for some kind of perpetual fluidity. Ephemerality is not a condition to celebrate for those wishing to function as political agents.
ReadDeep Dish TV and Paper Tiger TV to Release New Video Series About Resistance to Rise of Far-Right Political Movements.
We Interrupt this Program brings together reports from frontlines of fight against white nationalism, neoliberalism, patriarchy, and colonialism.
Greenpeace Netherlands has released secret TTIP negotiation documents. We have done so to provide much needed transparency and trigger an informed debate on the treaty. This treaty is threatening to have far reaching implications for the environment and the lives of more than 800 million citizens in the EU and US.
ReadGlobal Uprisings is an independent news site and video series dedicated to showing responses to the economic crisis and authoritarianism. Since 2011, Brandon Jourdan and Marianne Maeckelbergh have been travelling, researching, and making documentary films.
Their short films detail social movements in Bosnia and Herzegovina, Egypt, Greece, Portugal, Spain, Turkey, the UK, and the US. Their films cover strikes and demonstrations in the UK, the large-scale housing occupations and street mobilizations in Spain, the various general strikes, protests, and factory occupations in Greece, the revolution in Egypt, the Gezi Park uprising in Turkey, the 2014 social explosion in Bosnia and Herzegovina, the revolt against austerity in Portugal, and the occupy movement in the United States.
Facial Weaponization Suite protests against biometric facial recognition–and the inequalities these technologies propagate–by making "collective masks" in community-based workshops that are modeled from the aggregated facial data of participants, resulting in amorphous masks that cannot be detected as human faces by biometric facial recognition technologies.
ReadIf media theory over the last 40 years largely understood media as hopelessly contaminated by capitalism, the quietism implied by this critique also met its challenge in Guattari's concept of 'becoming-media'. Here Clemens Apprich revisits key media political debates to imagine post-media approaches in the age of social media.
ReadTwo years after 911 the global cup looks both half full and half empty. It's hard to be optimistic, yet there are plenty of reasons for it. With the Bush-Blair war machine running out of steam, the movement of movements shifts its attention to alternatives for the WTO, Security Council and similar post-democratic bodies. In the moral desert of the Iraq War the structuration of imaginary consent through the repetitive bombardment of the image began to show severe cracks in credibility. These discrepancies within the represented result in a heightened need for action. The Iraq war didn't fool any one and both sides are still reeling a little from the shock. While maintaining their anger, people moved on from protest to a collective search for that other, possible world. What might a global democracy look like? Would it be a system with representatives and 'rights,' or rather a dynamic set of events, without higher aims?
ReadFrequently at frontiers we are asked, "Anything to declare?"
The wisest thing to do when faced with the scrutiny of a border
official is to say that you have "nothing to declare", and quickly move
on. Crossing borders usually entails an effort not to say too much, or
at least to get by with saying very little. A degree of reticence is
the mark of the wise and experienced traveller.
From: Bruce Sterling <bruces {AT} well.com>
Date: Mon, 14 Dec 1998 22:59:27 -0600 (CST)
Sender: owner-nettime-l {AT} basis.Desk.nl
Key concepts: art movements, Internet, reputation economics, arts grants, Europe, Interfund
Software has, over the last few years, increasingly come into view as a cultural technique whose social and political impact ought to be studied carefully. To the extent that social processes rely on software for their execution - from systems of e-government and net-based education, online banking and shopping, to the organisation of social groups and movements -, it is necessary to understand the procedural specificities of the computer programmes employed, and the cultural and political 'rules' coded into them.
1. Autogenerative Europe
In our imagination, eastern Europe was always black and white. Traveling to East Germany or Poland meant suddenly leaving colorful western Europe and entering a movie from the forties or fifties. Later we simply couldn't remember having seen any color, not the green of the trees, nor the red of the brick buildings. When we went to the movies to see a film by Wajda, Kieslowski or Tarkowsky, the filmmaker's experiments with color only reinforced our image of the east as gray. Europe clearly had an ideologically motivated neurosis when it came to the perception of color.
There is a last enterprise that might be undertaken. It would be to seek experience at its source, or rather, above that decisive turn where, taking a bias in the direction of our utility, it becomes properly human experience. (Bergson, 1991: 184).
ReadSummary of the extended conversation on the emergence, consequences, and activist responses to the concept of "post-control"
Report of the conference 'The Society of Post-Control', organised by Eric Kluitenberg and David Garcia, tying into the opening of the exhibition As If.
There is a last enterprise that might be undertaken. It would be to seek
experience at its source, or rather, above that decisive turn where,
taking a bias in the direction of our utility, it becomes properly human
experience. (Bergson, 1991: 184).
