It has been a preoccupation of mine in imagining the supermarket as a
locus for political assembly. Clearly, it has already overtaken
religious assembly. In the UK the big brand Supermarkets like TESCO and
SAINSBURY are principle organizers of daily life. The ritualized
relationship between customer and supermarket have been carefully
constructed and maintained to a degree that compares to the
construction of religious faith.
Ricardo Dominguez is a co-founder of The Electronic Disturbance Theater (EDT), a group who developed Virtual-Sit-In technologies in 1998 in solidarity with the Zapatista communities in Chiapas, Mexico. He is co-Director of Thing (thing.net) an ISP for artists and activists.
Mathematician and open-source developer Drazen Pantic was deeply involved with Serbian Radio B92 in Pozarevac, Yugoslav President Slobodan Milosevic's home town.
Read"Luther Blissett" is a multi-use name, an "open reputation" informally adopted and shared by hundreds of artists and social activists all over Europe since summer 1994.
ReadOpen letter by Paolo Cirio.
Press Release Oct 6, 2020.
Addressed to Roselyne Bachelot, French Minister of Culture.
In response to the censored art installation at the exhibition Panorama 22, programmed at Le Fresnoy - Studio national, under the threat and pressure of the French Minister of Interior Gerald Darmanin.
Next 5 Minutes: tactical media was a conference and exhibition that took
place at Amsterdam's Balie and Paradiso and at Rotterdam's
V2_Organisation from January 18th till January 21st 1996. The
conference was officially opened Thursday evening in Rotterdam with a
performance of the Critical Art Ensemble from Chicago about the matter
of media.
On Mute and the Cultural Politics of the Net
On Wednesday July 10, 2024, the Centre for Digital Inquiry (Warwick Uni, UK) will present a livestream, hybrid conversation with Alexandra Barancova, David Garcia and Eric Kluitenberg on the legacies of tactical media since the 1990s, alongside reflections on emergent trajectories today for media aesthetics and activism in pursuit of the common good.
Livestream – 16:00-18:00 GMT, 17:00-19:00 CET: https://www.youtube.com/live/VC3YfR9ucmA
We are not surprised.
We are artists, arts administrators, assistants, curators, directors, editors, educators, gallerists, interns, scholars, students, writers, and more—workers of the art world—and we have been groped, undermined, harassed, infantilized, scorned, threatened, and intimidated by those in positions of power who control access to resources and opportunities. We have held our tongues, threatened by power wielded over us and promises of institutional access and career advancement.
How much of this is fiction. focuses on politically inspired media art that uses deception in all its forms, and will be showing at HeK (House of Electronic Arts Basel) from 23 March until 21 May 2017.
ReadWith kind permission of the author and publisher we have included the introduction of Rita Raley's book Tactical Media - 'Tactical Media as Virtuosic Performance' in the TMF resource as a pdf document. Raley's book appeared as part of the series Electronic Mediations with the University of Minnesota Press in 2009.
A project of Krzysztof Wodiczko and Robert Ochshorn
The veteran vehicle was developed in order to give a public voice to veterans struggling with the difficulties of returning to civilian life.
To the Arts, Citizens: it's a fantastic title. Hearing it, anyone who's been involved in political activism will probably think: "At last we're getting somewhere." The idea that art is part of citizenship, that there is a democratic exercise of the arts within the framework of public life, and that this appeal to the citizen-artist can be supported by a major cultural institution, is about as progressive as you could get today. Especially since this is a direct echo of the French republican tradition, where the phrase, Aux armes citoyens, is nothing less than a call to rise up and institute democracy against tyranny ? in other words, a call to revolution. The Portuguese know the meaning of this revolutionary call to arms from decisive historical events that are still in living memory. So one can imagine that the organizers of this exhibition did not take their title lightly.
ReadInternational Festival of Streaming Media
De Balie, Paradiso, Melkweg
Amsterdam, October 6 - 8, 2000
The existing use of media so far has been determined by the local, decentralized nature of the campaign. Local groups are adapting, editing and redesigning existing material like research results, lines of argumentation and logos, photos and slogans. The educational material, used by trade unions, schools and churches is very specific and "customized", and therefore cannot be used in campaigns which target the general public.
ReadWorld-Information.Org is an trans-national cultural intelligence provider, a collaborative effort of artists, scientists and technicians. It is a practical example for a technical and contextual environment for cultural production and an independent platform of critical media intelligence.
ReadPlease join Not An Alternative, Eyebeam Art and Technology Center, and
Upgrade NY! this Thursday, June 10 for the opening of Re:Group: Beyond
Models of Consensus, an exhibition which examines models of
participation and participation as a model in art and activism.
Re:Group proposes that with participation now a dominant paradigm,
structuring social interaction, art, activism, the architecture of the
city, the internet, and the economy, we are all integrated into
participatory structures whether we want to be or not. The exhibition
showcases work that subverts existing systems or envisions new
alternatives to the ways in which individuals can take part, or choose
not to take part, in social and cultural life.
