No One is Illegal / Kein Mensch ist Illegal
No One Is Illegal is an international network of local groups of immigrants, refugees and
allies who fight for the rights of all migrants to live with dignity
and respect.
No One Is Illegal is an international network of local groups of immigrants, refugees and
allies who fight for the rights of all migrants to live with dignity
and respect.
April 19, 2012 - FOR IMMEDIATE RELEASE
ON-THE-BRINK BANK STILL NOT YOURS (YET)
Dow Jones posts fake release for two hours; bank gets fake website blacklisted, briefly
Bank of America executives, investors, and opponents alike reacted with
surprise to yesterday's news - posted for two hours on Dow Jones Newswire
and elsewhere - that the mammoth financial institution, realizing it was
heading for a taxpayer bailout, was asking Americans to start thinking
about what they'll do with the bank once they own it, and to start
advertising that vision too.
A shift in revolutionary tactics.
Alright you 90,000 redeemers, rebels and radicals out there,
A worldwide shift in revolutionary tactics is underway right now that
bodes well for the future. The spirit of this fresh tactic, a fusion of
Tahrir with the acampadas of Spain, is captured in this quote:
"The antiglobalization movement was the first step on the road. Back
then our model was to attack the system like a pack of wolves. There
was an alpha male, a wolf who led the pack, and those who followed
behind. Now the model has evolved. Today we are one big swarm of
people."
- Raimundo Viejo, Pompeu Fabra University, Barcelona, Spain
LaSapienza University - Happening about education, welfare and new political practices - In the last two years we have participated and assisted with extraordinary movements that have fought for a quality education, for labor rights and new welfare against the austerity politics of the European Union. The wild demonstrations, pickets lines and strikes, the university occupations and the turmoil of the Mediterranean signal a generational revolt and the necessity of a new social pact that involves all those subjects that stand up for their rights and refuse to be blackmailed.
ReadA corporate media group has trade-marked the phrase "Radical Media" and
is trying to ban Peace news, New Internationalist, Red Pepper and
others from using it in the title of a conference?
Following a recent Diary item in the Guardian, indymedia is today
reporting on the story that a corporate media group has forced us to
change the name of our conference. Readers are invited to attend a
demonstration outside @Radical Media's London office, Tuesday, 3rd May
2011, 5pm, London W1T 7AA.
WikiLeaks is one of the defining stories of the internet, which means
by now, one of the defining stories of the present, period. At least
four large-scale trends which permeate our societies as a whole are
fused here into an explosive mixture whose fall-out is far from clear.
A Body for Cultures in Ruin
For Whom It May Concern,
We would like you to read this document and respond to this idea. It
was our wish and motivation to consider a format which could
accommodate certain situations in which countries and cultures find
themselves in these days. Ever increasingly, we are witnessing the
phenomena of ruined nation states, crashing financial markets and
bankrupt governments. So far, this is only interpreted in the usual
journalistic way of reporting the political and financial aspects of
the crises. But we, cultural workers, know better. It is only perceived
as 'news'. Arts and culture in this situation are the last to be
considered contemporary, sensitive instruments that could express the
'signs of the times'. First of all culture is a prime target of budget
cuts and this has become the only language in which officials can
speak. Art, by definition, is always in a defensive role and cannot
make demands. We do not like to further the culture of complaint, nor
is this the right time to dream up new utopias. We propose to radically
face current global economic forces. We want to intervene in their
sphere. Culture should not be left out: condemned to compensate for and
be at the receiving end of this trauma.
The attack on the World Trade Center was--among other things--a stunning media event, and there was no shortage of analysis on mass media coverage. We saw no reason to replicate what others were doing. What no one seemed to be looking at closely was the significance of this ephemeral material that filled the streets and parks in New York below 14th Street or its relationship with the new media that was also flooding our lives.
While the uprising in Egypt caught most observers of the Middle East
off guard, it did not come out of the blue. The seeds of this
spectacular mobilization had been sown as far back as the early 2000s
and had been carefully cultivated by activists from across the
political spectrum, many of these working online via Facebook, twitter,
and within the Egyptian blogosphere. Working within these media,
activists began to forge a new political language, one that cut across
the institutional barriers that had until then polarized Egypt's
political terrain, between more Islamicly-oriented currents (most
prominent among them, the Muslim Brotherhood) and secular-liberal ones.
This is a short text [1] which appears in "Public Netbase: Non Stop Future. New Practices in Art and Media" edited by the fine people at the New Media Center_kuda.org, in cooperation with World-Information Institute / t0. This book was presented at Transmediale 2009 in Berlin.
http://nonstop-future.org
Tactical media as a practice has a long history and, it seems save to predict, an even longer future. Yet its existence as a distinct concept around which something of a social movement, or more precisely, a self- aware network of people and projects would coalesce has been relatively short lived, largely confined to the internet's first decade as a mass medium (1995-2005).
The antiwar demonstrations of February 15, 2003 proved it: theself-organization of free singularities is possible on a planetaryscale. And that was an event, despite all that followed. In amanifesto-text written just after those demonstrations, I used thelanguage of Negri and Hardt to say that the multitudes could create arift in Empire. In a context where the Aristocracy (the greattransnational companies) had been weakened by a string of financialdisasters, where the Monarchy (the political and military command ofthe earth) had fallen apart in serious dissension, I wanted toencourage the democratic action of the Plebe, against the scorn of theAmerican, British, Spanish and Italian leaders. It was a moment thathad multiplied the world's political stages, overflowing thetraditional mechanisms of representation.
As much as images of violence, civil war, and sectarian strife become prominent in the media narrative of the Syrian uprising, little gems of innovative cultural production, artistic resistance, and creative disobedience continue to sprout across the virtual alleys of the Internet. These creative gems are also the germs of a viral peer-production process at work at a grassroots level in the new Syrian public sphere. Such acts of creativity - mash-ups, cartoons, slogans, jokes, songs, and web series - are probably too small and inconsistent in impact compared to the horrific magnificence that shelling, bombing, sniping, and killing scenes that provide daily fodder to global television viewers. It is also challenging to discover them; in fact, as remarked by Tunisian blogger Sami ben Gharbia at the Arab Bloggers meeting in Tunis (3-6 October 2011), Facebook is not the most suitable platform for activists to store, archive, tag, search for content, and give it a context.
Read"Contemporary civilization differs in one particularly distinctive feature from those which preceded it: speed. The change has come about within a generation," noted the historian Marc Bloch, writing in the nineteen-thirties. This situation brings in its wake a second feature: the accident. The progressive spread of catastrophic events do not just affect current reality, but produce anxiety and anguish for coming generations.
ReadIn tactical media circles the Amsterdam media landscape has long been treated as a Utopian model because of her free radios, open tv-channels and digital public spaces. The last few years this media paradise is under threat. How did this come about? And is it still possible to reverse this development? This is the theme of the Amsterdam Media Debate. Nina Meilof (The Digital City - DDS), Andreas Baader and Josephine (Radio Patapoe), Frank (Radio de Vrije Keyser) and media-activists Patrice Riemens, Geert Lovink and Menno Grootveld prepared the grounds for the discussion.
The aim of the Amsterdam Media Debate during The Next 5 Minutes is to explain to the international participants that big changes are underway here. They may perhaps learn something from our experiences, but we would also like to try and find out what the differences are with other big cities and with other countries. What are these big changes and how is the situation at the present moment?
"If you've been following events in Syria, you'd know that the
English-language press is mostly deeply critical of the Assad regime
(while the Arabic press displays a slightly wider range of views). I
thought it would be worth trying to present a minority report on the
situation from a Syrian friend of mine, although, as you will see, he
argues precisely that his position is actually held by a very
significant majority (albeit a rather quiet and frustrated majority) of
Syrians.
Camille Otrakji is a Syrian political blogger based in
Montreal. Although he tends to keep a low profile, Otrakji has been, for
the past several years, at the forefront of many of the most
interesting and influential online initiatives relating to Syrian
politics. He is one of the authors and moderators at Joshua Landis's
Syria Comment, and the founder of Creative Syria, a constellation of
websites including Mideast Image (a vast collection of original old
photographs of Middle Eastern subjects) and Syrian Think Tank (an online
debate site hosting many of Syria's top analysts). Last year, Otrakji
courted controversy with a new initiative devoted to the subject of
Syrian-Israeli peace, entitled OneMideast.org. He agreed to speak with
me about the latest events in Syria, and I'm sure that his views will
generate plenty of discussion."
An attempt to provisionally theorize the emergence of new subjectivities in the early stages of the coronavirus pandemic.
ReadThey wanted the Germs; they got 'em. - Darby Crash
The use of the symbolic abstraction of fear as an exchangeable sign has
always been a helpful means to justify and manifest the most perverse
needs of authority invested in the expansion of militarized orders and
the erasure of individual autonomy. But in the United States after the
9/11 attacks, fear reigns supreme as a fundamental unit of exchange
across the entire political, economic, and military spectrum.
Overview and manifesto of urban tv movements in Italy
?In Central and (South-) Eastern Europe the cultural landscape has entered the Post-Soros Era, while still awaiting the arrival of the widely expected EU patronage for the arts and the civil sector ?? (from the original description of the ?Enduring Post Communism? panel)
Tactical Media are what happens when the cheap 'do it yourself' media, made possible by the revolution in consumer electronics and expanded forms of distribution (from public access cable to the internet) are exploited by groups and individuals who feel aggrieved by or excluded from the wider culture. Tactical media do not just report events, as they are never impartial they always participate and it is this that more than anything separates them from mainstream media.