Civil Networking in a Hostile Environment: Experiences in the Former Yugoslavia 

Methods of media resistance - the example of Radio B2-92

Veran Matic, editor-in-chief of the famous Radio B92, Belgrade, and chairman of the ANEM federation of independent broadcasters in Serbia and Montenegro, discusses some of the methods employed by his organisation in the tumultuous environment of the former Yugolslavia.

Some points of departure 

Introductory essay for the second editon of the Next 5 Minutes festival of tactical media, 1996.

• culture

REALLY? - Art and Knowledge in Time of Crisis 

Opening on 22 June 2024 at Framer Framed, the exhibition Really? Art and Knowledge in Time of Crisis highlights the ways in which the scientific disciplines – historically associated with truth-telling – are increasingly used by cynical actors of big corporations and rogue governments alike to obscure, mislead and effectively capitalise and weaponise ignorance. The exhibition is curated by David Garcia and Mi You.

• art,
• tactical reality,
• democracy,
• Palestine,
• tactical television,
• surveillance,
• biopolitics,
• biometrics,
• knowledge,
• disinformation,
• forensics

Final declaration of the FC⚡MC 

Instigating final declaration of the FC⚡MC
In the middle of the protest, something new emerged:
Final declaration of the FC⚡MC - International Media Center during G20 in Hamburg

• community media,
• activism,
• globalisation,
• independent media,
• info-activism

Putting the Demo Back in Democracy: March Against the Moguls. 

That guerrilla video is now the subject of historical reflection is probably a sign of its demise. There has been a recent flurry of archival and publishing activity centering on experiments made in the '70s. In 1997, the Chicago-based Video Data Bank released Surveying the First Decade, a compilation of work from the early days of video, and Oxford University Press published Deirdre Boyle's Subject to Change: Guerrilla Television Revisited, the definitive study of the video movements of the late 1960s and '70s. These reflections on the utopian impulse in early video provide an opportunity to think about the present state of media in this country, in particular those movements that have attempted to create electronic space for non-commercial views that run counter to the mainstream.

• community media,
• democracy,
• tactical television

 tranzit.sk

tranzit is a network working independently in Austria, the Czech Republic, Hungary and Slovakia since 2002.

• art,
• network cultures,
• diy media

The GHI of Tactical Media 

Tactical media are the field being worked by artists adopting a positive attitude towards contemporary digital technology, in a critical, innovative spirit. Media artists reveal a preoccupation with aesthetics as a concept, not with a particular style. This trend is part of the creation of a new language for the communications network era, a user language which is successful as art because it transmits an effective activism. Media activists are a hybrid of artist, scientist, theoretician and political activist that shuns labels and categorizations. Their creations are characterised by integration of user and machine in the work itself, so that interactivity has an important place within it. The concept of tactical media allows Art with a capital and grassroots political activism to be combined and, in this sense, we could include in it the tactical struggle that is part of anti-globalisation movements. Media activists point to the power of tactics as a means of breaking down the barriers between mainstream values and alternative ones, between professionals and amateurs and even between people who are creative and those that are not.

• tactical media,
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