article
This polyvocal, collectively authored paper describes the Transborder
Immigrant Tool, a border disturbance art project developed by the
Electronic Disturbance Theater. The paper outlines the motivations
behind the tool and elaborates a notion of Science of the Oppressed as
a methodology for developing locative media projects in solidarity with
social movements. A shift is identified from Tactical Media to Tactical
Biopolitics in contemporary media art. Walkingtools.net is also
introduced as a platform for sharing technical information about
locative media projects in order to create an ecology of projects.
Poetic sustenance, part of the Transborder Immigrant Tool's
functioning, is discussed in a context of Inter-American
Transcendentalism.
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