Search results for 'activism'
Report: Public Debate 'Vox Populi and The Syrian Archive'
Summary of the presentations and public debate on digital archiving practices, activism, and the role of the artist.
Report of the event Vox Populi and the Syrian Archive on 21 January 2017, organised by Eric Kluitenberg..
Next 5 Minutes 4
Next 5 Minutes is a festival that brings together media, art and politics. Next 5 Minutes revolves around the notion of tactical media, the fusion of art, politics and media. The festival is organised irregularly, when the urgency is felt to bring a new edition of the festival together.
ReadFragmented Urban Topographies and Their Underlying Interconnections
Topographic representations of the built environment of cities tend to emphasize the distinctiveness of the various socio-economic sectors: the differences between poor and rich neighborhoods, between commercial and manufacturing districts, and so on. While valid, this type of representation of a city is partial because there are a variety of underlying connections. Further, it may even be more problematic than in the past, given some of the socio-economic, technical, and cultural dynamics of the current era. One step towards understanding what constitutes the complexity of large cities is the analysis of interconnections among urban forms and fragments that present themselves as unconnected.
ReadFrom the Blogosphere to the Street: The Role of Social Media in the Egyptian Uprising
While the uprising in Egypt caught most observers of the Middle East
off guard, it did not come out of the blue. The seeds of this
spectacular mobilization had been sown as far back as the early 2000s
and had been carefully cultivated by activists from across the
political spectrum, many of these working online via Facebook, twitter,
and within the Egyptian blogosphere. Working within these media,
activists began to forge a new political language, one that cut across
the institutional barriers that had until then polarized Egypt's
political terrain, between more Islamicly-oriented currents (most
prominent among them, the Muslim Brotherhood) and secular-liberal ones.
The Logos Fight back
The culture jammers tried to subvert the big brand names. But the smart
advertisers now use guerrilla tactics themselves, according to James Harkin
In a recent newspaper interview, Kalle Lasn was interrogated about
Adbusters, the Canadian anti-advertising magazine that he founded.
30 Years of Tactical Media
This is a short text [1] which appears in "Public Netbase: Non Stop Future. New Practices in Art and Media" edited by the fine people at the New Media Center_kuda.org, in cooperation with World-Information Institute / t0. This book was presented at Transmediale 2009 in Berlin.
http://nonstop-future.org
Tactical media as a practice has a long history and, it seems save to predict, an even longer future. Yet its existence as a distinct concept around which something of a social movement, or more precisely, a self- aware network of people and projects would coalesce has been relatively short lived, largely confined to the internet's first decade as a mass medium (1995-2005).
Video Warriors
In 1996, Adams Wood, Jeff Taylor, and A. Mark Liiv were working as activists on a forest defense campaign in Idaho. With a Hi-8 camera, they documented violations of timber sales agreements and confrontations between angry loggers and non-violent protesters as a way to keep people safe, as a tool in legal defense, and as an alternative to mainstream corporate media, which was biased in favor of the timber industry. The activists managed to pull off a 41-day road blockade, and the future founders of Whispered Media were shooting it. They cut their first video and called it ROAD USE RESTRICTED. The succinct but intense twelve-minute video was a great success, becoming part of several activist-run road shows and inspiring many a tree-hugger to haul it out to Idaho, which, says Liiv, "is not on the way to anywhere."
Transcending Post-Communism?
?In Central and (South-) Eastern Europe the cultural landscape has entered the Post-Soros Era, while still awaiting the arrival of the widely expected EU patronage for the arts and the civil sector ?? (from the original description of the ?Enduring Post Communism? panel)