Search results for 'art'
Media (in) Darkness
Techno Parasites
OPEN #21 - (Im)Mobility
The Avant-Garde Never Gives Up
The avant-garde never gives up. And tactical media has produced (at least) three different theaters of operation to wage its struggle: media activism, pure tactical aesthetics, and net conceptualism. The first allows for "formal" net.art tactics (materialist, structural), the latter two allow for "real" net.art tactics (native presence, site-specificity).
ReadExtinction Rebellion “How to” Actions, Art, Logistics
A manual for empowering people to self organise non-violent civil disobedience.
Next 5 Minutes 3 Workbook
Festival catalogue and reader, March 12-14, 1999.
Digital Resistance (CAE)
PDF version of the book by Critical Art Ensemble.
Tjebbe van Tijen
Tjebbe vam Tijen is a Dutch artist, theorist and curator.
ReadDerrick de Kerckhove
Derrick de Kerckhove is the former director of the McLuhan Program in Culture and Technology. He received his PhD. in French Language and Literature from the University of Toronto and a Doctorat du 3e cycle in Sociology of Art from the University of Tours. From 1972 to 1980 he was an associate of the Centre for Culture and Technology and worked with Marshall McLuhan for over ten years as translator, assistant and co-author.
ReadTactical Media Futures
A conversation between the Electronic Disturbance Theater & Ian Alan Paul
Khalil Sakakini Cultural Center
مركز خليل السكاكيني الثقافي
Wednesday, March 22nd, 6:30pm
Khalil Sakakini Str. Al Masyoon, Ramallah, Palestine
Wednesday, March 22nd, 6:30pm
Pussy Riot Statement
Pussy Riot : Art or Politics?
When Thought Becomes Crime*
March 17th, 2005
How did it come to this?
Only a perverse authoritarian logic can explain how Critical Art
Ensemble (CAE) can at one moment be creating the project "Free Range
Grain" for the Risk exhibition at Schirn Kunsthalle in Frankfurt,
reconfiguring it for The Interventionists exhibition at Mass MoCA in a
second moment, and then suddenly have a CAE member in FBI detention.
The U.S. Justice Department has accused us of such shocking crimes as
bioterrorism, health and safety violations, mail fraud, wire fraud, and
even murder. Now, as we retool "Free Range Grain" for the Risk
exhibition at the Glasgow Center for Contemporary Art, the surreal
farce of our legal nightmare continues unabated.
How much of this is fiction. @ FACT, Liverpool
Exploring the radical shift in the boundary between fiction and reality in a world increasingly governed by ‘post-truth’ politics
Exhibition @ FACT (Foundation for Art and Creative Technology), Liverpool, 2 March 2017 - 21 May 2017
Public Opening: Thursday 2 March / 6 - 8pm / All galleries
3rd ArtLeaks Working Assembly - Belgrade
Cultural Center REX, Jevrejska 16, Belgrade, Serbia
Friday, 31st of August, 7pm, 2012
Participants: Corina L. Apostol, Maja Ciric, Pavle Cosic / KORNET,
Nikola Radic Lucati, Vladan Jeremic, Selman Trtovac, Vesna Milosavljevic
/ SEEcult.org, Stefan Tiron, Noa Treister, The Bureau of Melodramatic
Research, Marica Radojcic, Rena Rädle.
The 3rd ArtLeaks Working Assembly will be facilitated by Corina Apostol, The
Bureau of Melodramatic Research, Stefan Tiron and Vladan Jeremic.
Critical Art Ensemble Defense Fund
The CAE Defense Fund was created in 2005 as a mechanism to raise funds
for legal bills incurred by Dr. Steven Kurtz and Dr. Robert Ferrell in
what its members argued was a politically motivated attack by the
Department of Justice - one which threatened the constitutional and
fundamental rights not only of the two defendants, but also of
everyone, due to legal precedents that would have been set by an
unfavorable outcome.
In response, thousands of people worldwide organized demonstrations and
raised money for the two men's legal defense through fundraisers and a
variety of other grassroots efforts.
www.caedefensefund.org