Search results for 'campaign'

campaign

Justice for Cecily 

Cecily McMillan was brutally arrested at an event marking the 6 month anniversary of Occupy Wall Street on March 17, 2012. In the course of her arrest she sustained a violent police beating resulting in bruised ribs and a seizure. Cecily was hospitalized for those injuries. The egregious incident received extensive media coverage. Cecily was later charged and convicted with felony assault of a police officer, Assault 2nd degree, a Class D felony in NY, which carries a sentence of up to 7 years in prison.
A support campaign for the Occupy Wall Street organizer and activist is raising media attention and financial support.

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Engineering of Consent 

One of the major challenges facing citizen groups campaigning to prevent, minimize, limit or regulate socially-irresponsible or environment-degrading practices of transnational corporations is how to deal with the corporations' increasing call for 'dialogue' and 'cooperation'. Many transnational corporations say they have seen the error of their ways and have rectified their mistakes. Eager to do their best for 'our common future', they claim to be listen to their critics. Thus 'dialogues' with companies or industry organizations are frequently portrayed as the way ahead for citizen groups seeking corporate accountability, rather than 'confrontational' strategies such as boycotts. What are the dangers and limits of doing so?

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    Reclaim the Streets: The Film and Other Media Tactics 

    The Disorganisation

    Reclaim the Streets (RtS) cannot be understood as a campaign, although some of its methods are very similar. There are now RtS groups in thirty cities organising illegal street parties. Most of these groups only exist for the event, and many of the activists are involved in local campaigns during the rest of the year. There is no membership or official line although many would like to see a wider global strategy. As a movement, RtS is only four years old, and it could grow in unpredictable ways.

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    The Avant-Garde Never Gives Up 

    The avant-garde never gives up. And tactical media has produced (at least) three different theaters of operation to wage its struggle: media activism, pure tactical aesthetics, and net conceptualism. The first allows for "formal" net.art tactics (materialist, structural), the latter two allow for "real" net.art tactics (native presence, site-specificity).

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    A Brief History of the Noborder Network 

    It wasn't exactly the right place nor really the right time to launch a political campaign which publicly called for a series of offenses against the law, yet when the call "No one is illegal" went out exactly five years ago at documentaX, the usual reservations counted little. In the Orangerie which had been temporarily arranged as a media laboratory, at the end of the visitors' course of the well-known Kassler art exhibition, a dozen political and media activists from all Germany's bigger cities met up at the end of June 1997 in order to publish an appeal.

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    Art Rant 

    Geert Lovink wrote:

    A gap is now in danger of getting bigger: old school video journalism, done by political activists, versus a thriving technology based network of media artists. Complaints about an 'eighties' style of amateurism of video works are on the rise. On the other hand, a depolitization of electronic arts is apparent as well. Or do we speak here about a mutual non-understanding? A return of the outworn difference between activist and artist? Can the concept of 'tactical media' present itself as a easy synthesis?

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    Dictionary of War - Berlin Edition 

    A to Z: The Precarious Alphabet of War
    War, in the broadest sense, is a battle about the power to define and definitions, that are not carried out at the center of words but at their very margins. But what can words do, as soon as the state of war has become a rule and a normality worldwide?

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     ArtLeaks

    ArtLeaks is collective platform initiated by an international group of artists, curators, art historians and intellectuals in response to the abuse of their professional integrity and the open infraction of their labor rights. In the art world, such abuses usually disappear, but some events bring them into sharp focus and therefore deserve public scrutiny.  Only by drawing attention to concrete abuses can we underscore the precarious condition of cultural workers and the necessity for sustained protest against the appropriation of politically engaged art, culture and theory by institutions embedded in a tight mesh of capital and power.

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    Eveline Lubbers

    Eveline Lubbers (NL), monitoring police and secret services since the eighties, supporting social activist groups against oppressive surveillance tactics of authorities. Recently she specialized in corporate intelligence and PR-strategies of multinationals against their critics- including net- activists.

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    Special "Merseyside editions" of The S*n appear in Liverpool newsagents: The Truth - We Lied 

    A spoof edition of The S*n tabloid newspaper has started to appear at Liverpool news agents, following the Sun's refusal to mention the Hillsborough inquest verdicts on its front page, and the infamous 'The Truth' front page on April 19, 1989, containing false accusations towards Liverpool fans. In parallel a nation wide campaign has started refusing free World Cup promotion editions of The Sun across the UK.

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    New Ad Campaign Explains Drones to Skeptical American Public 

    FOR IMMEDIATE RELEASE
    November 6, 2013 - San Francisco, California
    The California Department of Corrections (CDC) has unveiled a new series of advertisements to defend America's drone policy amidst mounting public scrutiny from lawmakers and human rights groups.  
    On Election Day, November 5, 2013 the CDC successfully apprehended, rehabilitated and discharged over a dozen bus shelter advertisements in San Francisco, including the intersection of Market and 7th Street, one block from the Federal Building.

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