Pit Schultz
Media artist, lives and works in Berlin. Co-founder of
Media artist, lives and works in Berlin. Co-founder of
Felix Stalder is a researcher, economist, and media theorist, working in Zürich and Vienna. He is co-founder and co-moderator of the influential nettime mailing list for net criticism.
ReadTetsuo Kogawa's interests range over a variety of disciplines and critical approaches.
ReadBig Noise Films is a collective of media-makers around the world, dedicated to circulating beautiful, passionate, revolutionary images.
Julian Stallabrass is a lecturer, writer, curator and photographer.
Josephine Bosma lives and works in Amsterdam. From an art background,
she is a journalist and author in the fields of art, new media and media
theory, focusing on art, sound and performance on the internet, as well
as cyberfeminism and media politics.
Krzysztof Wodiczko is an artist currently living in Boston and teaching at MIT.
ReadHoward
Slater is a London-based writer and researcher. His texts have appeared
in Datacide,as part of the collaborative TechNet project, and under pseudonym
in Alien Underground, Shimmer and The Techno Connection. He is the editor
of 'Break/Flow'.
Rita Raley is Associate Professor of English, with courtesy appointments in Film and Media Studies, Comparative Literature, and Global Studies at the University of California Santa Barbara. Her primary research interests lie at the intersection of digital media and humanist inquiry, with a particular emphasis on cultural critique, artistic practices, and language (codework, machine translation, electronic literature, and electronic English).
The current techno-economic paradigm of Web 2.0 has challenged notions of art and hacktivism within digital culture. The book "Networked Disruption" takes up this challenge and discusses a new perspective on political and social criticism. It simultaneously asks what are the conditions for hacker and artistic practices under Web 2.0 and how can social networking be seen to build on and incorporate artistic practices from the earlier decades of digital and network culture.
Through its theoretical discussion of contemporary art and hacktivism, the book maps out a new contradictory space for art and criticism: Networked disruption.