Search results for 'culture'


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A Virtual World is Possible: From Tactical Media to Digital Multitudes 

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We start with the current strategy debates of the so-called 'anti-globalisation movement', the biggest emerging political force for decades. In Part II we will look into strategies of critical new media culture in the post-speculative phase after dotcommania. Four phases of the global movement are becoming visible, all of which have distinct political, artistic and aesthetic qualities.

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The ABC of Tactical Media 

Tactical Media are what happens when the cheap 'do it yourself' media, made possible by the revolution in consumer electronics and expanded forms of distribution (from public access cable to the internet) are exploited by groups and individuals who feel aggrieved by or excluded from the wider culture. Tactical media do not just report events, as they are never impartial they always participate and it is this that more than anything separates them from mainstream media.

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Oct. 29 #RobinHood Global March 

"We take from the rich and give to the poor.

Alright you redeemers, rebels and radicals out there,

We're living through a magical moment ... #OCCUPYWALLSTREET has catalyzed into an international insurgency for democracy ...  the mood at our assemblies is electric ... people who go there are drawn into a Gandhian spirit of camaraderie and hope for a new kind of future. Across the globe the 99% are marching! You have inspired more than you know."

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Facial Weaponization Suite (2011 - 2014) 

Facial Weaponization Suite protests against biometric facial recognition–and the inequalities these technologies propagate–by making "collective masks" in community-based workshops that are modeled from the aggregated facial data of participants, resulting in amorphous masks that cannot be detected as human faces by biometric facial recognition technologies.

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Dutch Protest Museum 

ARTPLAY, Small Hall, Moscow, Russia
Dates: October 23rd - November 6th, 2013

In the second half of the 20th century, anarchist artists from PROVO, feminist movement Dolle Mina, Amsterdam squatters and media activists influenced Dutch state politics and changed public opinion with their sensational actions. What were they fighting for and what has become of activist art today? The exhibition tells the story of creative protest movements in the Netherlands from 1960s till 1990s, when those movements flourished, and also includes pieces by contemporary artists working with political themes today.

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Tactics of Protest Now 

This discussion explores tactical media in contemporary culture and social movements. In response to a deep economic, political, and cultural crisis, new social movements are challenging the dominant political and economic order. Tactical media, David Garcia says, has emerged through, 'the impact of the rise of small-scale DIY media, tools and networks in art, social and political activism, and the rise of new social movements.' How can tactical media connect with and re-contextualise the traditional methods of propaganda and create new alternative forms of action for the future?

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Re-Occupy #D17 

An all day performance event at Duarte Square, 6th and Canal

On Saturday, December 17th, noon, Occupy Wall Street - with support from more than 1400 faith leaders, elders of the civil rights movement, prominent artists and community members - will gather at noon in Duarte Square, downtown Manhattan, for an all day performance event. This event is part of a call to re-occupy in the wake of the coordinated attacks and subsequent evictions of occupations across the nation and around the world.

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NEURO networking Europe 

From February 27th to 29th young artists, filmmak- ers, musicians, theorists and activists from all over Europe and many other parts of the world meet at the Muffathalle in Munich for NEURO; a number of events, speeches, discussions, presentations, performances, concerts and actions reflecting the pulse of the age. About two years after the first make-world festival, NEURO will again interface with current debates around migration and mobility, racism and nationalism, civil society and global mobilisation, networking and new technologies, informatisation and precarious labour, education and control society, common organising, and digital culture.

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The 'art' of disappearing 

Thereis no place in the Netherlands for the odd one out. Strangers can beassimilated or deported and sick people can be cured or euthanised, butthe dreamer and the bohemian will not fit in a straight-jacket. Thereare only paved roads to follow in this country and those who cannot orwill not follow these roads are doomed. Sooner or later that odd oneout will be given a choice: either he will lay hands on himself or hewill be lend a hand with his choice. After that he can rot in his graveuntil after long the time is ripe to memorise his peculiarity at astrictly limited occasion.

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    Erik Hobijn over techno-parasieten 

    Techno-parasieten zijn volgens de definitie van Hobijn 'apparaatjes die gebruikmaken van gedeeltes van onze verworvenheden, speeltjes behept met opmerkzaamheid die technische storingen tot gevolg hebben.' Technoparasiet 00020004C leeft van de lantaarnpaal. Het is een soort bloemkelk dat het regenwater opvangt en het licht van de lantaarn omzet in energie, met als doel het creëren van een potentiaal verschil. Het regenwater wordt gebru ikt om het proces te versnellen. Hiermee wordt eerst de zinklaag aangetast en op den duur ook de ijzerlaag aangevroten zodat de lantaarnpaal wordt doorgezaagd en omvalt. Een andere parariet klimt in een spiraalachtige beweging langs de lantaarnpaal omhoog. Het motortje loopt op lichtenergie, heel langzaam. Boven aangekomen slaat hij ineens het glas en lamp kapot, vermoord zo zijn voedingsbron en valt dan naar beneden.

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      Sarai Reader 08: Fear 

      Modernity's great promise - the freedom from fear, now lies in ruins. One can argue that this vision was always compromised - modernity (especially in the form that emerged in the West, under Capitalism) always hid its own fears, and hid from its own fears - the fear of epidemics, of urban panic, of the homeless multitude and of criminal activity. This led to a drive for transparency: for separating the civic from the criminal, the civilised and the barbaric peoples, the human from the non human, life from the machine.

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      3rd ArtLeaks Working Assembly - Belgrade 

      Cultural Center REX, Jevrejska 16, Belgrade, Serbia
      Friday, 31st of August, 7pm, 2012

      Participants: Corina L. Apostol, Maja Ciric, Pavle Cosic / KORNET, Nikola Radic Lucati, Vladan Jeremic, Selman Trtovac, Vesna Milosavljevic / SEEcult.org, Stefan Tiron, Noa Treister, The Bureau of Melodramatic Research, Marica Radojcic, Rena Rädle.
      The 3rd ArtLeaks Working Assembly will be facilitated by Corina Apostol, The Bureau of Melodramatic Research, Stefan Tiron and Vladan Jeremic.

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