Greenpeace Netherlands has released secret TTIP negotiation documents. We have done so to provide much needed transparency and trigger an informed debate on the treaty. This treaty is threatening to have far reaching implications for the environment and the lives of more than 800 million citizens in the EU and US.
ReadAfter the square occupations of the past years, the Augusta Park actions in São Paulo, Brazil, open a new phase based on a vision of the commons.
ReadPlease join Not An Alternative, Eyebeam Art and Technology Center, and
Upgrade NY! this Thursday, June 10 for the opening of Re:Group: Beyond
Models of Consensus, an exhibition which examines models of
participation and participation as a model in art and activism.
Re:Group proposes that with participation now a dominant paradigm,
structuring social interaction, art, activism, the architecture of the
city, the internet, and the economy, we are all integrated into
participatory structures whether we want to be or not. The exhibition
showcases work that subverts existing systems or envisions new
alternatives to the ways in which individuals can take part, or choose
not to take part, in social and cultural life.
As a playful, do-it-yourself approach to media activism and new technologies, tactical media (TM) seemed to have some critical bite when it emerged in the mid-1990s. But is it still radical today?
ReadThere is a last enterprise that might be undertaken. It would be to seek experience at its source, or rather, above that decisive turn where, taking a bias in the direction of our utility, it becomes properly human experience. (Bergson, 1991: 184).
ReadOctober 2011.
The fight opposing financial dictatorship is erupting. The so-called 'financial markets' and their cynical services are destroying the very foundations of social civilization.
Tactical media are the field being worked by artists adopting a positive attitude towards contemporary digital technology, in a critical, innovative spirit. Media artists reveal a preoccupation with aesthetics as a concept, not with a particular style. This trend is part of the creation of a new language for the communications network era, a user language which is successful as art because it transmits an effective activism. Media activists are a hybrid of artist, scientist, theoretician and political activist that shuns labels and categorizations. Their creations are characterised by integration of user and machine in the work itself, so that interactivity has an important place within it. The concept of tactical media allows Art with a capital and grassroots political activism to be combined and, in this sense, we could include in it the tactical struggle that is part of anti-globalisation movements. Media activists point to the power of tactics as a means of breaking down the barriers between mainstream values and alternative ones, between professionals and amateurs and even between people who are creative and those that are not.
ReadThe Next Five Minutes is a conference, exhibition and tv program that wants to leave behind the rigid dichotomy between the mainstream, commercial and national tv on one hand and marginal independent tv on the other. Although these differences may still be important, N5M wants to focus on tv-makers crossing the borders of tv-making and going into the spaces that the tv-world still has to offer.
Over 2,000 Ogoni, including their leader, Ken Saro-Wiwa have died since they started their non-violent campaign against Shell. Many Ogoni are still imprisoned today. Their only crime was to campaign against the ecological destruction of their homeland by Shell and ask for a greater share of the oil wealth that had been drilled from under their land.
ReadTactical Media emerged when the modest goals of media artists and media activists were transformed into a movement that challenged everyone to produce their own media in support of their own political struggles. This "new media" activism was based on the insight that the long-held distinction between the 'street' (reality) and the 'media' (representation) could no longer be upheld. On the contrary, the media had come to infuse all of society.
ReadNow that the grassroots movement that started inadvertently with the Arab Spring has gone global, it is necessary to cast a backwards glance to try and figure out, with some perspective, the dynamics of what has happened, physically and conceptually, over the last year. We propose a simple vision of the process of uprising in 2011, which was consolidated on the past 15th of October as a new culture of popular resistance and creativity. We also aim to point out the recent or enhanced concepts born in the collective consciousness of society during this period.
ReadWikiLeaks is one of the defining stories of the internet, which means
by now, one of the defining stories of the present, period. At least
four large-scale trends which permeate our societies as a whole are
fused here into an explosive mixture whose fall-out is far from clear.
We understand the end of something all too easily in the negative sense as a mere stopping, as the lack of constitution, perhaps even as decline and impotence, the end suggests the completion and the place in which the whole of history is gathered in its most extreme possibility.[1]
ReadAn attempt to provisionally theorize the emergence of new subjectivities in the early stages of the coronavirus pandemic.
ReadThe Citizens’ Securities Law’s Reform is an attack on the right of freedom of assembly. This measure restricts citizens’ liberties, and criminalizes their right to protest. Turning a right into an offence for which you can be pursued, detained, and judged.
To respond to this injustice and to show the future will have to face if this bill continues its course, we saw the need to carry out a different kind of protest that would allow our demands to become unstoppable: the first hologram protest in history.
A massive protest, through which we will demonstrate, that despite the trammels imposed by the government, they will not silence our voices, and even if we have to turn ourselves into holograms, we will keep on protesting.
www.hologramasporlalibertad.org/en.html#project
The culture jammers tried to subvert the big brand names. But the smart
advertisers now use guerrilla tactics themselves, according to James Harkin
In a recent newspaper interview, Kalle Lasn was interrogated about
Adbusters, the Canadian anti-advertising magazine that he founded.
?In Central and (South-) Eastern Europe the cultural landscape has entered the Post-Soros Era, while still awaiting the arrival of the widely expected EU patronage for the arts and the civil sector ?? (from the original description of the ?Enduring Post Communism? panel)
Introductory essay for the second editon of the Next 5 Minutes festival of tactical media, 1996.
