?In Central and (South-) Eastern Europe the cultural landscape has entered the Post-Soros Era, while still awaiting the arrival of the widely expected EU patronage for the arts and the civil sector ?? (from the original description of the ?Enduring Post Communism? panel)
Introductory essay for the second editon of the Next 5 Minutes festival of tactical media, 1996.
If media theory over the last 40 years largely understood media as hopelessly contaminated by capitalism, the quietism implied by this critique also met its challenge in Guattari's concept of 'becoming-media'. Here Clemens Apprich revisits key media political debates to imagine post-media approaches in the age of social media.
ReadOn Mute and the Cultural Politics of the Net
Investigation by the Expose Accenture, the Movement Research Unit, and the Progressive International
Today, the Progressive International, Expose Accenture and the Movement Research Unit release the Accenture Files, revealing the central role of the world’s largest consultancy in the global right-ward turn towards surveillance, exclusion, and strong-men: The Reactionary International.
Based on extensive fieldwork, interviews, and a comprehensive review of internal documents, our investigation demonstrates how Accenture has quietly embedded itself deep into the apparatus of security states worldwide, deploying its vast network of resources, wealth and technology to surveil entire populations, fuel the military-industrial complex and channel immense public wealth to private hands.
This debate in the frame of the International Film Festival Rotterdam's
Power Cut Middle East programme, takes a look at the images, both moving
and still, that have come from the Middle East like a huge wave in the
past few months. Due to the increase of mobile phone films and photos,
we have a great deal of material whose origin is uncertain. It seems
authentic, but who is coming to blows with whom? And who has made the
films and taken the photos? Regimes are also aware of this, and use it
to their advantage. Are we seeing actors, paid demonstrators, real
people? How do we read and interpret these images?
An Analysis From #jan25 to #geziparki
ReadFelix Stalder explores the swarm politics of the 'endlessly fascinating Anonymous story' in an essay written for Le Monde Diplomatique, where it appeared in a slightly edited version and under a different title.
This version of the text was originally distributed via the international nettime mailing list.
In March 1993, Kevin Carter took a photo of a starving Sudanese child crawling towards a UN relief camp less than a mile away. A few meters from the weary child stood a vulture, waiting for her death to begin his meal. Birds also must eat, and in southern Sudan they were eating because humans were not.
Read"Contemporary civilization differs in one particularly distinctive feature from those which preceded it: speed. The change has come about within a generation," noted the historian Marc Bloch, writing in the nineteen-thirties. This situation brings in its wake a second feature: the accident. The progressive spread of catastrophic events do not just affect current reality, but produce anxiety and anguish for coming generations.
ReadThese 0.
"What do I think of WikiLeaks? I think it would be a good idea!"
(after Mahatma Gandhi's famous quip on 'Western Civilisation')
CAPABLE OF cutting through time and space, the Internet offers a means of communication not previously dreamed of. It has created important new possibilities as it shrinks distances and provides an astounding volume and variety of information to those who have computer access. One result of these is the acceleration of the development of solidarity networks among peoples, regions, and countries. In Indonesia, it has even managed to help topple a strongman who, until his unscheduled resignation in May 1998, had been Asia's longest reigning postwar ruler. To Indonesia's powers that be, controlling the Internet has become close to being an obsession.
ReadThe third edition of the Next 5 Minutes revolved around four core themes:
- The Art of Campaiging
- The Post-Governmental Organisation (PGO)
- How Low Can You Go? The Technical and the Tactical
- Tactical Education
Campaigns and Movements Although a global conference, the first Next 5 Minutes, held six years ago(1993), was dominated by the first large scale encounter between two distinctive cultural communities. On the one hand, Western European and North American campaigning media artists and activists and on the other hand their equivalent from the former communist countries of Central and Eastern Europe, dissident artists and samizdat activists, still basking in the after glow of the role they played in bringing down the communist dictatorships. In the excitement of discovering each other, these two communities tended to gloss over their ideological differences,understandably emphasising only the shared practice of exploiting consumer electronics (in those days mostly the video camcorder) as a means of organisation and social mobilisation. We referred to these practices, and the distinctive aesthetic to which it gave rise, tactical media.
ReadThe twin phenomena of immediacy and of instantaneity are presently oneof the most pressing problems confronting political and militarystrategists alike. Real time now prevails above both real space and thegeosphere. The primacy of real time, of immediacy, over and above spaceand surface is a ~fait accompli~ and has inaugural value (ushers a newepoch). Something nicely conjured up in a (French) advertisementpraising cellular phones with the words: "Planet Earth has never beenthis small". This is a very dramatic moment in our relation with theworld and for our vision of the world.
Read10 solutions/facts plus one.
A citizen response to the recent attacks on freedoms in the name of an
incoherent concept that carries the name "intellectual property".
Pirate signals from the margins
ReadIt wasn't exactly the right place nor really the right time to launch a political campaign which publicly called for a series of offenses against the law, yet when the call "No one is illegal" went out exactly five years ago at documentaX, the usual reservations counted little. In the Orangerie which had been temporarily arranged as a media laboratory, at the end of the visitors' course of the well-known Kassler art exhibition, a dozen political and media activists from all Germany's bigger cities met up at the end of June 1997 in order to publish an appeal.
ReadContemporary activism begins from the realization that for the first time in history, a synergy of catastrophes face us. Our physical environment is dying, our financial markets are collapsing and our culture, fed on a diet of junk thought, is atrophying -- unable to muster the intellectual courage to face our predicament.
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