Laboratory of Insurrectionary Imagination
This guide is not a road map or instruction manual. It's a match struck
in the dark, a homemade multi-tool to help you carve out your own path
through the ruins of the present, warmed by the stories and strategies
of those who took Bertolt Brecht's words to heart: "Art is not a mirror
held up to reality, but a hammer with which to shape it."
The Next Five Minutes is a conference, exhibition and tv program taking place between 8th and 10th January 1993 in Amsterdam, that wants to leave behind the rigid dichotomy between the mainstream, commercial and national tv on one hand and marginal independent tv on the other. Although these differences may still be important, N5M wants to focus on tv-makers crossing the borders of tv-making and going into the spaces that the tv-world still has to offer.
ReadSarai-Waag Workshop at Sarai-CSDS, Delhi March 3-5, 2003
"The hottest place in hell is reserved for those who tried to stay neutral in times of crisis..."
- The Inferno, Dante Alighieri
Occupy Sandy gained the attention denied to Occupy Our Homes because it replaced militant Occupy! with "do-it-yourself" Occupy. Feel-good mutual aid displaced attention from the underlying contradiction between public housing and private utilities onto the quick fix of digital media. Occupy Our Homes, on the other hand, confronts the system with its failures ? predatory lending, homelessness, and empty bank-owned houses. The problems it addresses can't be solved by rolling up our sleeves and getting involved; they require political solutions.
ReadWith kind permission of the author and publisher we have included the introduction of Rita Raley's book Tactical Media - 'Tactical Media as Virtuosic Performance' in the TMF resource as a pdf document. Raley's book appeared as part of the series Electronic Mediations with the University of Minnesota Press in 2009.
"Beneath this mask there is more than flesh. Beneath this mask there is
an idea [?] and ideas are bulletproof."
- From the film V for Vendetta
The Next Five Minutes is a conference, exhibition and tv program that wants to leave behind the rigid dichotomy between the mainstream, commercial and national tv on one hand and marginal independent tv on the other. Although these differences may still be important, N5M wants to focus on tv-makers crossing the borders of tv-making and going into the spaces that the tv-world still has to offer.
1. Toward a European Standard Code for Critical Interchange (ESCCI)
Bezeichnen wir das Internet einfach einmal als 'Kind der Moderne', soist das klassische Genre der Kritik sicherlich ein Teil davon. Im nochandauernden Zeitalter des multikulturellen Massenkonformismus, vollerMikropraxis und Ich-Management, ist die Kunst der Kritik jedoch inVergessenheit geraten. Die hiesigen Kommentare zielen nur noch aufKorrektur von Verhaltensweisen ab. Die Meinungsmacher/innen haben allesAngebotene laengst hinter sich, sie sehen das Ganze wirklichdifferenziert, aus sicherem Abstand. Die glueckliche Tatsache, man seieben nicht engagiert, wird als persoenliche Errungenschaft gefeiert.Solche talking heads ohne Eigenschaften sind aber nutzlos in Zeitenrascher Entwicklungen, sowie das beim Wachstum der Computernetze imMoment der Fall ist.
Since American Vice-President Al Gore made his famous speech in
California a couple of years ago, it has become impossible to scan any
news medium without finding at least one reference to the "Information
Superhighway". The Information Superhighway metaphor - specially
tailored for Mr. Gore's California audience - is so brilliantly
simplistic it seems to have blown the mind of every media editor in the
Western Hemisphere. With an Information Superhighway you just plug in
your modem and roll your data out onto the ramp and into the dataflow
where it zips along the freeway until it hits the appropriate off-ramp.
Finding data is the same - it's all nice straight data-lanes with on
and off ramps and well-banked curves.
October 2011.
The fight opposing financial dictatorship is erupting. The so-called 'financial markets' and their cynical services are destroying the very foundations of social civilization.
The tactical media concept originates in post-1989 Europe when political change coincided with a wild phase in thinking about media technologies. It was the decade when both artists and activists started to discover digital technologies on a massive scale. Prizes dropped and expectations rose to incredible heights.
ReadThe idea for the Art of Campaigning topic originates from the works of
the McLibel group [www.mcspotlight.org]. Their type of net.campaign
questions previous forms of activism, which was focused on the mass
media and their ability to influence public opinion, by staging direct
action (targeted at known media makers). Big NGO's such as Greenpeace
have built up experiences with this model for decades. The scenarios
they use have not changed much since the seventies. There is the usual
PR material: official reports, books, folders, flyers, magazine and
original video footage, shot on location. Campaigns are being planned
long in advance. The way of working does not differ much from a
campaign to launch a new product. Professionalism has taken over the
task of volunteers. Their role is being reduced to that of a local
support group, doing the actual grass roots work with the population.
Instigating final declaration of the FC⚡MC
In the middle of the protest, something new emerged:
Final declaration of the FC⚡MC - International Media Center during G20 in Hamburg
