Search results for 'precarity'



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Tactical Media Connections 

A public research trajectory tracing the legacies of Tactical Media and its connections to the present.

Under the working title 'Tactical Media Connections' the editors of the Tactical Media Files, David Garcia and Eric Kluitenberg have begun an extensive public research project that seeks to trace and develop the connections between the phenomenon of Tactical Media as it was identified in the early 1990s, not least through the renowned series of Next 5 Minutes festivals and conferences on Tactical Media (www.n5m.org - organised four times between 1993 and 2003), and current critical practices operating at the intersection of art, media, activism, technological experimentation and political contestation.

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Publication: Legacies of Tactical Media - The Tactics of Occupation: From Tompkins Square to Tahrir. 

Out now and available for download:
INC Network Notebooks 05 - Legacies of Tactical Media
Tactical Media employ the 'tactics of the weak' to operate on the terrain of strategic power by means of 'any media necessary'. Once the rather exclusive practice of politically engaged artists and activists, the tactical appropriations of media tools and distribution infrastructures by the disenfranchised and the disgruntled have moved from the margins to centre stage.

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Free/Libre Culture Forum Declaration 

We can no longer put off re-thinking the economic structures that have been producing, financing, and funding culture up until now. Many of the old models have become anachronistic and detrimental to civil society. The aim of this document is to promote innovative strategies capable of defending and extending the sphere in which human creativity and knowledge can prosper freely and sustainably.

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Call for a #GlobalDebout, May 15, 2016 

We call for a #globaldebout day of action on the 15th of May, 2016.

We call on peoples movements across the world to mobilise for justice and real democracy on the weekend of May 15th, 2016 for a #GLOBALDEBOUT. We invite you to come to Paris for an International Gathering of movements at Place de la Republic on May 7 and 8.

Today #46mars (April 15) is just two weeks after one million people mobilized in Paris and the movement Nuit Debout continues to grow. In numerous French and foreign cities, #Nuitdebout (Night on our Feet) is a light in the dark, it gives testimony to our hopes, dreams and common rebellions. Those who have taken the squares in the past and those who are taking them NOW: we know something is happening.

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Nuit Debout 

Nuit Debout is a French social movement that began on March 31, 2016, arising out of protests against proposed neoliberal labor reforms known as the "Loi Travail," or the "El Khomri Law".

The movement is centred at Paris's Place de la République, where protestors have held nightly assemblies following the March 31 protest. The movement has spread to dozens of other cities and towns in France and to neighbouring countries in Europe.

[From: Wikipedia.org ]

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Sustainable Models for Creativity 

Press Release, February 17, 2011:
Declaration drafted during 4 months by the Free/Libre Culture Forum.

Each year, the FCForum brings together key organisation and active voices in the sphere of free/libre culture. It responds to the need for an international arena in which to put together and coordinate a global framework for action, and to the need to defend and expand the sphere in which human creativity and knowledge can prosper freely and sustainably.

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Manifesto of the association Real Democracy Now (English) 

We are ordinary people. We are like you: people, who get up every morning to study, work or find a job, people who have family and friends. People, who work hard every day to provide a better future for those around us.
Some of us consider ourselves progressive, others conservative. Some of us are believers, some not. Some of us have clearly defined ideologies, others are apolitical, but we are all concerned and angry about the political, economic, and social outlook which we see around us: corruption among politicians, businessmen, bankers, leaving us helpless, without a voice.
This situation has become normal, a daily suffering, without hope. But if we join forces, we can change it. It's time to change things, time to build a better society together.

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1st ArtLeaks Working Assembly 2012 

ArtLeaks invites you to a public working assembly around the issues that are at the core of the group's mission - exposing instances of abuse, corruption and exploitation in the art world. This is the official public launch of our platform, which began to operate in September 2011, and will be followed by a series of debates and workshops in the near future. These present a unique opportunity to engage more directly with conditions of cultural work that affect not only artists but creative workers in general: those from the traditionally creative fields as well as those generally involved in cultural production.

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A User's Guide to Demanding the Impossible 

Laboratory of Insurrectionary Imagination

This guide is not a road map or instruction manual. It's a match struck in the dark, a homemade multi-tool to help you carve out your own path through the ruins of the present, warmed by the stories and strategies of those who took Bertolt Brecht's words to heart: "Art is not a mirror held up to reality, but a hammer with which to shape it."

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Occupy and UK Uncut: the evolution of activism 

Occupy Sandy gained the attention denied to Occupy Our Homes because it replaced militant Occupy! with "do-it-yourself" Occupy. Feel-good mutual aid displaced attention from the underlying contradiction between public housing and private utilities onto the quick fix of digital media. Occupy Our Homes, on the other hand, confronts the system with its failures ? predatory lending, homelessness, and empty bank-owned houses. The problems it addresses can't be solved by rolling up our sleeves and getting involved; they require political solutions.

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ArtLeaks 

It is time to break the silence!

ArtLeaks is collective platform initiated by an international group of artists, curators, art historians and intellectuals in response to the abuse of their professional integrity and the open infraction of their labor rights. In the art world, such abuses usually disappear, but some events bring them into sharp focus and therefore deserve public scrutiny.  Only by drawing attention to concrete abuses can we underscore the precarious condition of cultural workers and the necessity for sustained protest against the appropriation of politically engaged art, culture and theory by institutions embedded in a tight mesh of capital and power.

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