Search results for 'public+space'

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Do It With Others (DIWO): Participatory Media in the Furtherfield Neighbourhood 

The Furtherfield community utilizes networked media to create, explore, nurture and promote the art that happens when connections are made and knowledge is shared - across the boundaries of established art-world institutions and their markets, grass-roots artistic and activist projects and communities of socially-engaged software developers. This is a spectrum that engages from the maverick media-art-makers and small collectives of cross-specialist practitioners, to projects that critique and change dominant hierarchical structures as part of their art process.

This text will provide a brief background as to how Furtherfield, a non-profit organization and community, came about and how it extends the DIY ethos of some early net art and tactical media, said to be motivated by curiosity, activism and precision, [01] towards a more collaborative approach that Furtherfield calls Do It With Others (DIWO).

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#Occupy Wallstreet 

The resistance continues at Liberty Square and worldwide!

OccupyWallSt.org is the unofficial de facto online resource for the ongoing protests happening on Wall Street. We are an affinity group committed to doing technical support work for resistance movements. We are not affiliated with Adbusters, anonymous or any other organization.

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Utopian Promises-Net Realities 

The need for net criticism certainly is a matter of overwhelming urgency. While a number of critics have approached the new world of computerized communications with a healthy amount of skepticism, their message has been lost in the noise and spectacle of corporate hype-the unstoppable tidal wave of seduction has enveloped so many in its dynamic utopian beauty that little time for careful reflection is left. Indeed, a glimpse of a possibility for a better future may be contained in the new techno-apparatus, and perhaps it is best to acknowledge these possibilities here in the beginning, since Critical Art Ensemble (CAE) has no desire to take the position of the neoluddites who believe that the techno-apparatus should be rejected outright, if not destroyed. To be sure, computerized communications offer the possibility for the enhanced storage, retrieval, and exchange of information for those who have access to the necessary hardware, software, and technical skills. In turn, this increases the possibility for greater access to vital information, faster exchange of information, enhanced distribution of information, and cross cultural artistic and critical collaborations. The potential humanitarian benefits of electronic systems are undeniable; however, CAE questions whether the electronic apparatus is being used for these purposes in the representative case, much as we question the political policies which guide the net's development and accessibility.

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Mediate YourSelf! 

At the end of the third 'Next 5 Minutes' conference on tactical media (March 1999) in Amsterdam, an interesting discussion emerged around the question of how the minor media practices elaborated and highlighted in this vibrant event would ever reach a wider audience for lack of being covered by any mainstream outlet. At one point, some people from the back of the room (unfortunately I don't know anymore who exactly, I believe an Italian group), shouted: 'We don't want to be mediated - we mediate ourselves!'

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Holograms for Freedom 

The Citizens’ Securities Law’s Reform is an attack on the right of freedom of assembly. This measure restricts citizens’ liberties, and criminalizes their right to protest. Turning a right into an offence for which you can be pursued, detained, and judged.
To respond to this injustice and to show the future will have to face if this bill continues its course, we saw the need to carry out a different kind of protest that would allow our demands to become unstoppable: the first hologram protest in history.
A massive protest, through which we will demonstrate, that despite the trammels imposed by the government, they will not silence our voices, and even if we have to turn ourselves into holograms, we will keep on protesting.
www.hologramasporlalibertad.org/en.html#project

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The ABC of Tactical Media 

Tactical Media are what happens when the cheap 'do it yourself' media, made possible by the revolution in consumer electronics and expanded forms of distribution (from public access cable to the internet) are exploited by groups and individuals who feel aggrieved by or excluded from the wider culture. Tactical media do not just report events, as they are never impartial they always participate and it is this that more than anything separates them from mainstream media.

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We Demand The Impossible: 

An Interview with John Jordan and Gavin Grindon

Furtherfield interview with Gavin Grindon and John Jordan from the Laboratory of Insurrectionary Imagination about the User's Guide to (Demanding) the Impossible. Published by Minor Compositions.

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Tactical Media in Brazil - Submidialogia conference report 

The four-day conference on the campus of the Universidade Estadual de Campinas (Unicamp) brought together many key persons from the tactical media movement of Brazil and some of their counterparts in the Brasilian government.
The movement is converging from roots in free radio, free software, hardware hacking, art and social movements. It is currently focussed around a large-scale project master-minded by Claudio Prado and supported by the Ministry of Culture: ?Pontos de Cultura? (Culture Spots) which is aiming to empower up to 600 cultural projects with free software-based multimedia production and publication facilities.

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The DEF of Tactical Media 

Campaigns and Movements Although a global conference, the first Next 5 Minutes, held six years ago(1993), was dominated by the first large scale encounter between two distinctive cultural communities. On the one hand, Western European and North American campaigning media artists and activists and on the other hand their equivalent from the former communist countries of Central and Eastern Europe, dissident artists and samizdat activists, still basking in the after glow of the role they played in bringing down the communist dictatorships. In the excitement of discovering each other, these two communities tended to gloss over their ideological differences,understandably emphasising only the shared practice of exploiting consumer electronics (in those days mostly the video camcorder) as a means of organisation and social mobilisation. We referred to these practices, and the distinctive aesthetic to which it gave rise, tactical media.

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INFOBAHN BLUES 

Since American Vice-President Al Gore made his famous speech in California a couple of years ago, it has become impossible to scan any news medium without finding at least one reference to the "Information Superhighway". The Information Superhighway metaphor - specially tailored for Mr. Gore's California audience - is so brilliantly simplistic it seems to have blown the mind of every media editor in the Western Hemisphere. With an Information Superhighway you just plug in your modem and roll your data out onto the ramp and into the dataflow where it zips along the freeway until it hits the appropriate off-ramp. Finding data is the same - it's all nice straight data-lanes with on and off ramps and well-banked curves.

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    New Ad Campaign Explains Drones to Skeptical American Public 

    FOR IMMEDIATE RELEASE
    November 6, 2013 - San Francisco, California
    The California Department of Corrections (CDC) has unveiled a new series of advertisements to defend America's drone policy amidst mounting public scrutiny from lawmakers and human rights groups.  
    On Election Day, November 5, 2013 the CDC successfully apprehended, rehabilitated and discharged over a dozen bus shelter advertisements in San Francisco, including the intersection of Market and 7th Street, one block from the Federal Building.

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    Syrian Hands Raised: User Generated Creativity Between Citizenship and Dissent 

    As much as images of violence, civil war, and sectarian strife become prominent in the media narrative of the Syrian uprising, little gems of innovative cultural production, artistic resistance, and creative disobedience continue to sprout across the virtual alleys of the Internet. These creative gems are also the germs of a viral peer-production process at work at a grassroots level in the new Syrian public sphere. Such acts of creativity - mash-ups, cartoons, slogans, jokes, songs, and web series - are probably too small and inconsistent in impact compared to the horrific magnificence that shelling, bombing, sniping, and killing scenes that provide daily fodder to global television viewers. It is also challenging to discover them; in fact, as remarked by Tunisian blogger Sami ben Gharbia at the Arab Bloggers meeting in Tunis (3-6 October 2011), Facebook is not the most suitable platform for activists to store, archive, tag, search for content, and give it a context.

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    A new culture of resistance: from WikiLeaks to the squares 

    Now that the grassroots movement that started inadvertently with the Arab Spring has gone global, it is necessary to cast a backwards glance to try and figure out, with some perspective, the dynamics of what has happened, physically and conceptually, over the last year. We propose a simple vision of the process of uprising in 2011, which was consolidated on the past 15th of October as a new culture of popular resistance and creativity. We also aim to point out the recent or enhanced concepts born in the collective consciousness of society during this period.

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    Take The Square 

    A 3-channel video installation by Oliver Ressler - 2012

    The emergence of the movements of the squares and the Occupy movement in 2011 can be seen as a reaction by people who opposed and began to fight the massive increase in social inequality and the dismantling of democracy in times of global financial and economic crisis. The movements of the squares are non-hierarchical and reject representation; direct democracy shapes their activities. The occupation of public places serves as a catalyst to develop demonstrations, general strikes, meetings and working groups on different focal points. Successful site occupancies in one place often inspire occupations in other cities, without a linear relationship.

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