10 Basic Facts about OCLP
"10 Basic Facts You Should Know About OCLP for Fighting [for] True Democracy"
"10 Basic Facts You Should Know About OCLP for Fighting [for] True Democracy"
Ibraaz Publishing and I.B. Tauris are pleased to announce the book launch of Uncommon Grounds: New Media and Critical Practices in North Africa and the Middle East, edited by Anthony Downey.
ReadA public research trajectory tracing the legacies of Tactical Media and its connections to the present.
Under the working title 'Tactical Media Connections' the editors of the Tactical Media Files, David Garcia and Eric Kluitenberg have begun an extensive public research project that seeks to trace and develop the connections between the phenomenon of Tactical Media as it was identified in the early 1990s, not least through the renowned series of Next 5 Minutes festivals and conferences on Tactical Media (www.n5m.org - organised four times between 1993 and 2003), and current critical practices operating at the intersection of art, media, activism, technological experimentation and political contestation.
Collective Action After Networks
Part of the PML Books series. A collaboration between Mute and the Post-Media Lab.
Here it is the Immigrant X Stop and Search Mobile App. The concept is really simple. Here is how it works.
ReadWhat we've learnt from the Net and how we can extrapolate it to all spaces of struggle.
(Some thoughts geared towards action, compiled for the Radical Community Manager courses that we organise at X.net)
Methods of media resistance - the example of Radio B2-92
Veran Matic, editor-in-chief of the famous Radio B92, Belgrade, and
chairman of the ANEM federation of independent broadcasters in Serbia
and Montenegro, discusses some of the methods employed by his
organisation in the tumultuous environment of the former Yugolslavia.
Access / Bandwidth / Code / Data / Ensemble / Fractal / Gift / Heterogeneous / Iteration / Journal / Kernel / Liminal / Meme / Nodes / Orbit / Portability / Quotidian / Rescension / Site / Tools / Ubiquity / Vector / Web / Xenophilly / Yarn / Zone
Initiated in March 2011, Tahrir Documents is an ongoing effort to archive and translate activist papers from the 2011 Egyptian uprising and its aftermath. Materials are collected from demonstrations in Cairo's Tahrir Square and published in complete English translation alongside scans of the original documents. The project is not affiliated with any political organization, Egyptian or otherwise.
ReadFelix Stalder's extended essay, Digital Solidarity, responds to the wave of new forms of networked organisation emerging from and colliding with the global economic crisis of 2008. Across the globe, voluntary association, participatory decision-making and the sharing of resources, all widely adopted online, are being translated into new forms of social space.
ReadUnshackle the Human Spirit!
The most precious natural resource is human spirit. A close second is
human imagination. Spirit and imagination will do more than oil, gold
and guns to determine the fate of the human experiment on Earth, an
experiment that has never been as precarious as it is today.
Sentenced to 10 Years in Prison, Anarchist Hacker Jeremy Hammond Uses Allocution to Give Consequential Statement Highlighting Global Criminal Exploits by FBI Handlers.
ReadVakuumTV was founded in February 1994 on the initiative of Laszlo Kistamas and currently includes Dora Csernatony, Ferenc Grof, Laszlo Kistamas, and Attila Till. Its members presented weekly broadcasts on Monday nights at the most popular cultural club in Budapest, Tilos az A. Between February 1994 and September 1997 Vakuum TV broadcast 52 shows, and after 3 years of rest, started broadcasting again in 2000. Each show blended short films, interactive engagements between the audience and the announcer, and live performances but each used a very different content to create a parallel televisual reality.
ReadTo: nettime-l {AT} bbs.thing.net
Subject: <nettime> Rise and Decline of the Syndicate
Date: Tue, 13 Nov 2001 15:52:49 +0100
The Syndicate mailing list imploded and went down in August 2001, destroying the life-line of the Syndicate network. The network had been in a shaky situation for a while, due - we believe - to the destabilisation of the problematic balance between personal contacts of list members, lurking and filtering-and-not-reading-let-alone-posting subscribers, and a growing number of self-promoters who used the list as a personal performance space and disregarded the social rules of the online community.
The need for net criticism certainly is a matter of overwhelming urgency. While a number of critics have approached the new world of computerized communications with a healthy amount of skepticism, their message has been lost in the noise and spectacle of corporate hype-the unstoppable tidal wave of seduction has enveloped so many in its dynamic utopian beauty that little time for careful reflection is left. Indeed, a glimpse of a possibility for a better future may be contained in the new techno-apparatus, and perhaps it is best to acknowledge these possibilities here in the beginning, since Critical Art Ensemble (CAE) has no desire to take the position of the neoluddites who believe that the techno-apparatus should be rejected outright, if not destroyed. To be sure, computerized communications offer the possibility for the enhanced storage, retrieval, and exchange of information for those who have access to the necessary hardware, software, and technical skills. In turn, this increases the possibility for greater access to vital information, faster exchange of information, enhanced distribution of information, and cross cultural artistic and critical collaborations. The potential humanitarian benefits of electronic systems are undeniable; however, CAE questions whether the electronic apparatus is being used for these purposes in the representative case, much as we question the political policies which guide the net's development and accessibility.
ReadThe desire to transcend distance and separation has accompanied the history of media technology for many centuries. Various attempts to realise the demand for a presence from a distance have produced beautiful imaginaries such as those of telepresence and ubiquity, the electronic cottage and the reinvigoration of the oikos, and certainly not least among them the reduction of physical mobility in favour of an ecologically more sustainable connected life style. As current systems of hypermobility are confronted with an unfolding energy crisis and collide with severe ecological limits - most prominently in the intense debate on global warming - citizens and organisations in advanced and emerging economies alike are forced to reconsider one of the most daring projects of the information age: that a radical reduction of physical mobility is possible through the use of advanced telepresence technologies.
ReadOur ability to move into a collectively imagined future has been trapped in an ever-present now, composed of continually transmitted images. The spectacle accompanies us throughout our lives. News, propaganda, advertising, entertainment and social media present a continuous stream of imagery, projecting a constant justification for how our culture is formulated. When Guy Debord first published The Society of the Spectacle in 1967, the digital revolution was still decades away and the technological capacity to project images into every corner of our lives was far less developed than it is today. The spectacle is no longer simply all of the time; it is also everywhere. More than ever before, Debord's words apply: "Everything that was directly lived has receded into a representation."
ReadAs a playful, do-it-yourself approach to media activism and new technologies, tactical media (TM) seemed to have some critical bite when it emerged in the mid-1990s. But is it still radical today?
ReadProviding journalism from within Brazil's protest movement has led the 'ninjas' to find an audience that wants to be represented in media.
ReadResidents of Istanbul started a peaceful sit-in as a reaction to the city governments plans to demolish Taksim Square's Gezi Park on the May 29th 2013. The demolition was part of the plan to replace the park and construct a shopping mall on one of the only green areas left in the central cross road of Istanbul. The reaction was sparked by a decision making process that lacked any consultation with citizens. Inhabitants of the city initiated this on-site protest to raise their voices against the demolition plans, but also to exercise their right to freedom of speech and to freedom of assembly in a democratic society.
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