"V for Vendetta": The Other Face of Egypt's Youth Movement
"Beneath this mask there is more than flesh. Beneath this mask there is
an idea [?] and ideas are bulletproof."
- From the film V for Vendetta
"Beneath this mask there is more than flesh. Beneath this mask there is
an idea [?] and ideas are bulletproof."
- From the film V for Vendetta
The attack on the World Trade Center was--among other things--a stunning media event, and there was no shortage of analysis on mass media coverage. We saw no reason to replicate what others were doing. What no one seemed to be looking at closely was the significance of this ephemeral material that filled the streets and parks in New York below 14th Street or its relationship with the new media that was also flooding our lives.
Essay written in August 2002 for the New York University Tactical Media Lab, organised by the NYU Center for Media, Culture and History.
Tunis March 2015
We, communicators and activists committed to multiple emancipatory communication practices across different regions of the world, freely assembled in March 2015 in Tunis, on the occasion of the 4th World Forum on Free Media, organized in the framework of the World Social Forum 2015, adopt this World Charter of Free Media, as the result of our collective reflection initiated in 2013, and as an expression of our resistance, and our commitment to just and emancipatory communication, and our engagement with world developments and humanity.
Pussy Riot : Art or Politics?
If media theory over the last 40 years largely understood media as hopelessly contaminated by capitalism, the quietism implied by this critique also met its challenge in Guattari's concept of 'becoming-media'. Here Clemens Apprich revisits key media political debates to imagine post-media approaches in the age of social media.
ReadOuter Spaces Conference Series 2017
An analysis of ISIS and its media strategy, the meaning of cyber jihad, and why people enrol as foreign fighters.
The 12th conference of the Disruption Network Lab
Directed by Tatiana Bazzichelli. Studio 1, Mariannenplatz 2, 10997 Berlin.
The need for net criticism certainly is a matter of overwhelming urgency. While a number of critics have approached the new world of computerized communications with a healthy amount of skepticism, their message has been lost in the noise and spectacle of corporate hype-the unstoppable tidal wave of seduction has enveloped so many in its dynamic utopian beauty that little time for careful reflection is left. Indeed, a glimpse of a possibility for a better future may be contained in the new techno-apparatus, and perhaps it is best to acknowledge these possibilities here in the beginning, since Critical Art Ensemble (CAE) has no desire to take the position of the neoluddites who believe that the techno-apparatus should be rejected outright, if not destroyed. To be sure, computerized communications offer the possibility for the enhanced storage, retrieval, and exchange of information for those who have access to the necessary hardware, software, and technical skills. In turn, this increases the possibility for greater access to vital information, faster exchange of information, enhanced distribution of information, and cross cultural artistic and critical collaborations. The potential humanitarian benefits of electronic systems are undeniable; however, CAE questions whether the electronic apparatus is being used for these purposes in the representative case, much as we question the political policies which guide the net's development and accessibility.
Read"If you've been following events in Syria, you'd know that the
English-language press is mostly deeply critical of the Assad regime
(while the Arabic press displays a slightly wider range of views). I
thought it would be worth trying to present a minority report on the
situation from a Syrian friend of mine, although, as you will see, he
argues precisely that his position is actually held by a very
significant majority (albeit a rather quiet and frustrated majority) of
Syrians.
Camille Otrakji is a Syrian political blogger based in
Montreal. Although he tends to keep a low profile, Otrakji has been, for
the past several years, at the forefront of many of the most
interesting and influential online initiatives relating to Syrian
politics. He is one of the authors and moderators at Joshua Landis's
Syria Comment, and the founder of Creative Syria, a constellation of
websites including Mideast Image (a vast collection of original old
photographs of Middle Eastern subjects) and Syrian Think Tank (an online
debate site hosting many of Syria's top analysts). Last year, Otrakji
courted controversy with a new initiative devoted to the subject of
Syrian-Israeli peace, entitled OneMideast.org. He agreed to speak with
me about the latest events in Syria, and I'm sure that his views will
generate plenty of discussion."
[Originally published in: The New York Times Book Review, 28 October 1984, pp. 1, 40-41.]
"Free Pussy Riot collective members Maria Alekhina, Ekaterina Samutsevich, Nadezhda Tolokonnikova from Russian prison and drop all charges now. Write a letter of support pussriotsolidarity@gmail.com visit the site freepussyriot.org & donate/sign petition"
ReadArthur Kroker, Canadian media theorist and is the author of 'ThePossessed Individual', 'Spasm' and 'Hacking the Future'. Over the pastyears he, together with Marilouise Kroker, were often in Europe andmade appearances at Virtual Futures, V-2, Eldorado/Antwerpen, etc.Recently, they have also been discovered in German-speaking countries.Both are noted for their somewhat compact jargon, which made theirmessage appear to drown somewhat in overcomplex code. But "DataTrash"`(1994) changed all that. The long treck through the squashydiscourses had not been in vain. Firmly rooted in European philosophy,yet not submerged, Arthur Kroker has found his topic: the virtual class.
10 solutions/facts plus one.
A citizen response to the recent attacks on freedoms in the name of an
incoherent concept that carries the name "intellectual property".
The following text is an excerpt from a talk given by Subcomandante
Insurgente Marcos to the International Civil Commission of Human Rights
Observation in La Realidad, Chiapas on November 20, 1999. The outline
for the talk was published in Letters 5.1 and 5.2 in November of the
same year, with the titles "Chiapas: the War: 1, Between the Satellite
and the Microscope, the Other's Gaze," and 2, "The Machinery of
Ethnocide." Any similarity to the conditions of the current war is
purely coincidental. Published in Spanish in La Jornada, Tuesday,
October 23, 2001.
The Letter written by N. Tolokonniokova in which she outlines the problematics of Gender Equality and other fundamental freedoms in frames of ethical consensus monopolized by the Russian Orthodox Church and the Russian State, absent the plurality of the people of Russia and incarceration of Pussy Riot, as its main actors.
ReadAt first glance the concept of "organised networks" appears oxymoronic. In technical terms, all networks are organised. There are founders, administrators, moderators and active members who all take up roles. Think also back to the early work on cybernetics and the "second order" cybernetics of Bateson and others. Networks consist of mobile relations whose arrangement at any particular time is shaped by the "constitutive outside" of feedback or noise.[1] The order of networks is made up of a continuum of relations governed by interests, passions, affects and pragmatic necessities of different actors. The network of relations is never static, but this is not to be mistaken for some kind of perpetual fluidity. Ephemerality is not a condition to celebrate for those wishing to function as political agents.
ReadThis text was written in July 2003, at the height of the tension on the border between India and Pakistan. Following elections in Pakistan, and in the Indian administered part of Kashmir, the two countries have agreed to de-escalate and troops on both sides are now on their way back to "peace time" positions. Relations between the two governments however, continue to be tense.
Read