A twelve day prelude moving across the city; a twelve-hour sound art
opera of betrayal and rebellion culminating in a spectacular series of
disturbing performances in Chelsea College of Art Parade Ground; a
one-day coda of debate.
Presented by AKA the CASTLE
Media Art in the Public Domain
Debates & Credits was a Russian / Dutch art and media project which has invited four artists and artist collectives from Russia and four from The Netherlands to develop interventionist (media-) art works for the public space.
The project happened in three stages:
Amsterdam, September 11 - 22
Yekaterinburg, September 26 - 29
Moscow, October 7 - 13
The first interview was conducted during the opening of Hybrid Workspace in June 1997, the temporary media lab in the margins of the big art show Documenta X in Kassel (Germany).
ReadFacial Weaponization Suite protests against biometric facial recognition–and the inequalities these technologies propagate–by making "collective masks" in community-based workshops that are modeled from the aggregated facial data of participants, resulting in amorphous masks that cannot be detected as human faces by biometric facial recognition technologies.
ReadOut now and available for download:
INC Network Notebooks 05 - Legacies of Tactical Media
Tactical Media employ the 'tactics of the weak' to operate on the terrain of strategic power by means of 'any media necessary'. Once the rather exclusive practice of politically engaged artists and activists, the tactical appropriations of media tools and distribution infrastructures by the disenfranchised and the disgruntled have moved from the margins to centre stage.
"Tweets and the Streets analyses the culture of the new protest movements of the 21st century. From the Arab Spring to the "indignados" protests in Spain and the Occupy movement, Paolo Gerbaudo examines the relationship between the rise of social media and the emergence of new forms of protest. Gerbaudo argues that activists' use of Twitter and Facebook does not fit with the image of a "cyberspace" detached from physical reality. Instead, social media is used as part of a project of re-appropriation of public space, which involves the assembling of different groups around "occupied" places such as Cairo's Tahrir Square or New York's Zuccotti Park."