Search results for 'Revolution'


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Reading the Arab Image 

This debate in the frame of the International Film Festival Rotterdam's Power Cut Middle East programme, takes a look at the images, both moving and still, that have come from the Middle East like a huge wave in the past few months. Due to the increase of mobile phone films and photos, we have a great deal of material whose origin is uncertain. It seems authentic, but who is coming to blows with whom? And who has made the films and taken the photos? Regimes are also aware of this, and use it to their advantage. Are we seeing actors, paid demonstrators, real people? How do we read and interpret these images?

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Operation: Payback 

To whom it concerns,

Over the past years, we have borne witness to a technological revolution. The individual has become free, in the most extreme anarchistic sense, to share ideas. Some of these ideas are shared behind proxies, darknets, or similar ?closed doors?. Nevertheless, the ideas are out there. There have been similar instances of such revolutions of the mind. Their effects on society are inestimably great. As in past times with the invention of the printing press, so it is today that the people embrace this revolution, this new ?anarchy? of freedom to share, while their autocratic rulers seek to crush this freedom.

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Streaming Networks 

We've had the camcorder revolution. It made making videoprograms cheaper. Audio-equipment is affordable, so radiomaking is possible for a large amount of people too. So for a long time already the masses are potential mediaproducers. There were only minor successes in accessing the broadcast channels both legally and illegally. But the efficient one-to-many distribution system (radio and tv) are chocked, regulated, hard to get access to. The Internet having the capacity for streaming media seems to promise new possibilities. Boundless access, for anyone making radio, and maybe in the near future TV. Some are pessimistic, and see these channels soon closed and regulated as well. What will this streaming media look like and who will be streaming?

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    The Manifesto of John Doe: The Revolution Will Be Digitized 

    In a statement issued to the German newspaper Süddeutsche Zeitung and the International Consortium of Investigative Journalists, the so-called "John Doe" behind the biggest information leak in history cites the need for better whistleblower protection and has hinted at even more revelations to come.

    Titled "The Revolution Will Be Digitized" the 1800-word statement gives justification for the leak, saying that "income inequality is one of the defining issues of our time" and says that government authorities need to do more to address it.

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    Manifesto of the association Real Democracy Now (English) 

    We are ordinary people. We are like you: people, who get up every morning to study, work or find a job, people who have family and friends. People, who work hard every day to provide a better future for those around us.
    Some of us consider ourselves progressive, others conservative. Some of us are believers, some not. Some of us have clearly defined ideologies, others are apolitical, but we are all concerned and angry about the political, economic, and social outlook which we see around us: corruption among politicians, businessmen, bankers, leaving us helpless, without a voice.
    This situation has become normal, a daily suffering, without hope. But if we join forces, we can change it. It's time to change things, time to build a better society together.

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    What is Meme Warfare? 

    Unshackle the Human Spirit!

    The most precious natural resource is human spirit. A close second is human imagination. Spirit and imagination will do more than oil, gold and guns to determine the fate of the human experiment on Earth, an experiment that has never been as precarious as it is today.

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    Minor Media Normality in the East 

    1. Autogenerative Europe

    In our imagination, eastern Europe was always black and white. Traveling to East Germany or Poland meant suddenly leaving colorful western Europe and entering a movie from the forties or fifties. Later we simply couldn't remember having seen any color, not the green of the trees, nor the red of the brick buildings. When we went to the movies to see a film by Wajda, Kieslowski or Tarkowsky, the filmmaker's experiments with color only reinforced our image of the east as gray. Europe clearly had an ideologically motivated neurosis when it came to the perception of color.

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    A context for collecting the new media 

    At the turning of the year 1992 I received the program and manifesto for the Next 5 Minutes Conference in Paradiso. As professional collector of documents by and about social movements for the International Institute of Social History, the list of videos to be shown caught my attention immediately. This was an excellent opportunity to realize something for which I had been trying already for some time, to make an international sample collection of products from the movement of new independent video makers.

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    Final Program: As If / Vox Populi / The Syrian Archive / The Society of Post-Control 

    Tactical Media Connections public program, Amsterdam January 20 - 22, 2017.

    As part of the Tactical Media Connections public research trajectory tracing the legacies of Tactical Media and its connections to the present, a series of public events take place in Amsterdam between January 20 and 22, 2017. The public program includes an exhibition at Framer Framed in the Tolhuistuin cultural centre, opening on Friday January 20; a Meme Wars Lab workshop on Friday January 20; a public debate at Eye Filmmuseum on Saturday January 21, and a one day conference (‘The Society of Post-Control’) again at the Tolhuistuin on Sunday January 22.

    Please find below a brief program overview, followed by a detailed description of the different parts of the public program.

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