We are not surprised. 

We are not surprised.

We are artists, arts administrators, assistants, curators, directors, editors, educators, gallerists, interns, scholars, students, writers, and more—workers of the art world—and we have been groped, undermined, harassed, infantilized, scorned, threatened, and intimidated by those in positions of power who control access to resources and opportunities. We have held our tongues, threatened by power wielded over us and promises of institutional access and career advancement.

• politics,
• culture,
• art,
• sexual harassment

The Next System Project 

New Political-Economic Possibilities for the Twenty- First Century

The Next System Project is an ambitious multi-year initiative aimed at thinking boldly about what is required to deal with the systemic challenges the United States faces now and in coming decades. Responding to real hunger for a new way forward, and building on innovative thinking and practical experience with new economic institutions and approaches being developed in communities across the country and around the world, the goal is to put the central idea of system change, and that there can be a "next system," on the map.

• politics,
• economics

1st ArtLeaks Working Assembly 2012 

ArtLeaks invites you to a public working assembly around the issues that are at the core of the group's mission - exposing instances of abuse, corruption and exploitation in the art world. This is the official public launch of our platform, which began to operate in September 2011, and will be followed by a series of debates and workshops in the near future. These present a unique opportunity to engage more directly with conditions of cultural work that affect not only artists but creative workers in general: those from the traditionally creative fields as well as those generally involved in cultural production.

• art,
• campaign,
• precarity,
• art of campaigning

Next 5 Minutes 1 

The Next Five Minutes is a conference, exhibition and tv program taking place between 8th and 10th January 1993 in Amsterdam, that wants to leave behind the rigid dichotomy between the mainstream, commercial and national tv on one hand and  marginal independent tv on the other. Although these differences may still be important, N5M wants to focus on tv-makers crossing the borders of tv-making and going into the spaces that the tv-world still has to offer.

• politics,
• tactical media,
• community media,
• activism,
• next 5 minutes

Dow 'Run for Water' - 'Run for your Life!' protest 

April 19, 2010

FOR IMMEDIATE RELEASE

Dow Throws a Dismal Party, Few Attend

Underattended "Run for Water" plagued by death, zombies, and dozens of "Dow spokesmen"; truth seems to run free

• The Yesmen,
• identity correction,
• Dow Bhopal Legacy

Digital Partisans 

On Mute and the Cultural Politics of the Net

• politics,
• art,
• tactical media,
• diy media,
• infopolitics,
• independent media,
• media theory,
• media criticism

Participationism (re: Re:Group: Beyond Models of Consensus) 

From: beka economopoulos
Date: June 10, 2010 6:07:12 GMT+02:00
Subject: [iDC] Participationism (was "why do we need physical campuses")

Hi all,
(...) Below is (one of) the curatorial statement(s) of a show that Not An Alternative has curated with Upgrade NY! and Eyebeam, called Re:Group: Beyond Models of Consensus, about the subjects of collaboration and participation. After constant debate, the curatorial committee never came to consensus about the thesis for the show, and so we've presented two distinct positions.
Below is that of our group, Not An Alternative. The opening is tomorrow, with a curators talk at 5pm, so if you're in NY and you're ready for a rumble join us there.
Best, Beka

• art,
• activism,
• participatory media

Tactical Media Connections 

A public research trajectory tracing the legacies of Tactical Media and its connections to the present.

Under the working title 'Tactical Media Connections' the editors of the Tactical Media Files, David Garcia and Eric Kluitenberg have begun an extensive public research project that seeks to trace and develop the connections between the phenomenon of Tactical Media as it was identified in the early 1990s, not least through the renowned series of Next 5 Minutes festivals and conferences on Tactical Media (www.n5m.org - organised four times between 1993 and 2003), and current critical practices operating at the intersection of art, media, activism, technological experimentation and political contestation.

• tactical media,
• activism,
• theory,
• media theory,
• next 5 minutes,
• tactical research

We Demand The Impossible: 

An Interview with John Jordan and Gavin Grindon

Furtherfield interview with Gavin Grindon and John Jordan from the Laboratory of Insurrectionary Imagination about the User's Guide to (Demanding) the Impossible. Published by Minor Compositions.

• art,
• participatory media,
• austerity

A Virtual World is Possible: From Tactical Media to Digital Multitudes 

I.

We start with the current strategy debates of the so-called 'anti-globalisation movement', the biggest emerging political force for decades. In Part II we will look into strategies of critical new media culture in the post-speculative phase after dotcommania. Four phases of the global movement are becoming visible, all of which have distinct political, artistic and aesthetic qualities.

• politics,
• tactical media,
• infopolitics,
• net.activism,
• net criticism

Next 5 Minutes 3 

Amsterdam & Rotterdam, The Netherlands, 12-14 March, 1999

The third Next 5 Minutes, an Amsterdam based conference on tactical communications culture, featuring do-it-yourself media, dissident art and electronic media activists from around the world, took place on the 12th, 13th and 14th of March 1999.

N5M3 archived festival website

• tactical media,
• streaming media,
• post-governmental organisation,
• art of campaigning,
• tactical education,
• cyberfeminism

The dark side of Camping 

Camping can be so nice. Crawling out of dewy plastic in the early morning, with a pinch of sleep still in your eyes, braving the unbearably hot sun, yet invigorated and ready to take on the day with as much indifference as possible to the ongoing struggle with nature. Surely everybody knows that the secret of success is to fight the laws of petty bourgeois civilisation with minimal equipment and therefore gain a flexibility that is capable of suspending the otherwise ruling power relations for a clearly defined amount of time.

• campaign,
• activism,
• migration,
• no border,
• borders,
• tactical camping

Paolo Gerbaudo, Tweets and the Streets: Social Media and Contemporary Activism 

"Tweets and the Streets analyses the culture of the new protest movements of the 21st century. From the Arab Spring to the "indignados" protests in Spain and the Occupy movement, Paolo Gerbaudo examines the relationship between the rise of social media and the emergence of new forms of protest. Gerbaudo argues that activists' use of Twitter and Facebook does not fit with the image of a "cyberspace" detached from physical reality. Instead, social media is used as part of a project of re-appropriation of public space, which involves the assembling of different groups around "occupied" places such as Cairo's Tahrir Square or New York's Zuccotti Park."

• network cultures,
• activism,
• public space,
• participatory media,
• hybrid space,
• street protest

Help B92 Campaign 

International support campaign for independent media in Yugoslavia, including the famous Radio B92 media center, in operation between March and July 1999.

• radio,
• tactical media,
• independent media,
• yugoslavia

Art and the Human 

The punk band Pussy Riot, which I belong to, is a musical group that conducts unexpected performances in different urban spaces. Pussy Riot's songs address topical political issues. The interests of the group members are: political activism, ecology, and the elimination of authoritarian tendencies in the Russian state system through the creation of the civil society.

• politics,
• art,
• Religion,
• Russia,
• prison

In memoriam: Oleg Kireev 

On Friday April 3, 2009 we received the terribly sad news that our friend and ever inspiring colleague Oleg Kireev from Moscow had died, apparently as a result of suicide. We are left behind as friends and colleagues, bereaved and puzzled by this dramatic fact. Kireev was a prominent guest in some of the most important projects in the art / media / politics triangle, which we had the honour developing at De Balie. Kireev was a crucial figure in circles of free culture, media activism and the arts in Moscow, one of the most demanding environments for such activity one can think of.

• tactical media,
• Russia

The revolution WILL be broadcast - at least locally 

This essay provides a short and insightful overview of alternative television projects in the Italy of Berlusconi.

• tactical television,
• telestreet,
• Italy

Human rights, testimony, and transnational publicity 

In the period between the end of the cold war in 1989 and the events of September 11, 2001, human rights became the dominant moral narrative by which world politics was organized. Inspired by the momentous political and cultural transformations taking place at the time, from the fall of the Berlin Wall to the spread of global communications technologies, promoters of human rights discourse optimistically predicted that a transnational public sphere dedicated to democratic values would emerge (We now know, of course, that such predictions were wrong, as early post cold war hopes gave way to the harsh realities of contemporary globalization).

• feminism,
• theory

Networked Disruption 

The current techno-economic paradigm of Web 2.0 has challenged notions of art and hacktivism within digital culture. The book "Networked Disruption" takes up this challenge and discusses a new perspective on political and social criticism. It simultaneously asks what are the conditions for hacker and artistic practices under Web 2.0 and how can social networking be seen to build on and incorporate artistic practices from the earlier decades of digital and network culture.

Through its theoretical discussion of contemporary art and hacktivism, the book maps out a new contradictory space for art and criticism: Networked disruption.

• network cultures,
• activism,
• infopolitics,
• info-activism,
• hacktivism