Search results for 'surveillance'

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INFOBAHN BLUES 

Since American Vice-President Al Gore made his famous speech in California a couple of years ago, it has become impossible to scan any news medium without finding at least one reference to the "Information Superhighway". The Information Superhighway metaphor - specially tailored for Mr. Gore's California audience - is so brilliantly simplistic it seems to have blown the mind of every media editor in the Western Hemisphere. With an Information Superhighway you just plug in your modem and roll your data out onto the ramp and into the dataflow where it zips along the freeway until it hits the appropriate off-ramp. Finding data is the same - it's all nice straight data-lanes with on and off ramps and well-banked curves.

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    Final Program: As If / Vox Populi / The Syrian Archive / The Society of Post-Control 

    Tactical Media Connections public program, Amsterdam January 20 - 22, 2017.

    As part of the Tactical Media Connections public research trajectory tracing the legacies of Tactical Media and its connections to the present, a series of public events take place in Amsterdam between January 20 and 22, 2017. The public program includes an exhibition at Framer Framed in the Tolhuistuin cultural centre, opening on Friday January 20; a Meme Wars Lab workshop on Friday January 20; a public debate at Eye Filmmuseum on Saturday January 21, and a one day conference (‘The Society of Post-Control’) again at the Tolhuistuin on Sunday January 22.

    Please find below a brief program overview, followed by a detailed description of the different parts of the public program.

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    Parasitic Media 

    By Nathan M Martin for The Carbon Defense League, September 2002
    A parasite is defined as ?an organism that grows, feeds, and is sheltered on or in a different organism while contributing nothing to the survival of its host.? The tactics of appropriation have been co-opted. Illegal action has become advertisement. Protest has become cliché. Revolt has become passé. These disputes have reached the definition of rhetoric. They are the usual suspects. Having accepted these failures to some degree, we can now attempt to define a parasitic tactical response. We need a practice that allows invisible subversion. We need to feed and grow inside existing communication systems while contributing nothing to their survival; we need to become parasites. We need to create an anthem for the bottom feeders and leeches. We need to echo our voice through all the wires we can tap but cloak our identity in the world of non-evidence, and the hidden.

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      REALLY? - Art and Knowledge in Time of Crisis 

      Opening on 22 June 2024 at Framer Framed, the exhibition Really? Art and Knowledge in Time of Crisis highlights the ways in which the scientific disciplines – historically associated with truth-telling – are increasingly used by cynical actors of big corporations and rogue governments alike to obscure, mislead and effectively capitalise and weaponise ignorance. The exhibition is curated by David Garcia and Mi You.

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      WikiLeaks statement on the mass recording of Afghan telephone calls by the NSA 

      Friday 23 May 2014, 05:00 GMT

      The National Security Agency has been recording and storing nearly all the domestic (and international) phone calls from two or more target countries as of 2013. Both the Washington Post and The Intercept (based in the US and published by eBay chairman Pierre Omidyar) have censored the name of one of the victim states, which the latter publication refers to as country "X".

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      Absorption and Exposure 

      I am interested in a certain sense of wanting to be "in" something: to participate in it, to connect with it, to synchronize with it, to be caught up with it, rather than to visually possess it. The desire to be attuned to something that is happening, or that might happen at any moment -- not necessarily as a conscious thought, but as a vaguely felt expectation. The desire to move toward something that is (or might be) happening, in order to absorb its force, touch it, taste it, surrender to it -- rather than simply to observe it.

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      SWARMACHINE 

      Activist Media Tomorrow*

      * BH: When I wrote this text five years ago, it really was not clear whether the swarming tactics of the counter-globalization movement would get a "second chance." But they have, and now the subtitle could be "activist media today."

      What happened at the turn of the millennium, when a myriad of recording devices were hooked up to the Internet and the World Wide Web became an electronic prism refracting all the colors of a single anti-capitalist struggle? What kind of movement takes to the barricades with samba bands and videocams, tracing an embodied map through a maze of virtual hyperlinks and actual city streets? The organizational aesthetics of the networked movements was called "tactical media," a concept that mixed the quick-and-dirty appropriation of consumer electronics with the subtle counter-cultural anthropology of Michel de Certeau. The idea was to evoke a new kind of popular subjectivity, constitutionally "under the radar," impossible to identify, constantly shifting with the inventions of digital storytelling and the ruses of open-source practice. Too bad so much of this subversive process was frozen into a single seductive phrase.

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      No One is Illegal! Manifesto 

      For a world without borders! No immigration controls!

      DEFEND THE OUTLAW!

      Immigration controls should be abolished. People should not be deemed 'illegal' because they have fallen foul of an increasingly brutal and repressive system of controls. Why is immigration law different from all other law? Under all other laws it is the act that is illegal, but under immigration law it is the person who is illegal. Those subject to immigration control are dehumanized, are reduced to non-persons, are nobodies. They are the modern outlaw. Like their medieval counterpart they exist outside of the law and outside of the law's protection. Opposition to immigration controls requires defending all immigration outlaws.

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        Constructing the Digital Commons 

        March 2003

        Democracy can be understood in two notably distinct ways. In the institutional view democracy is understood as the interplay of institutional actors that represent 'the people' and are held accountable through the plebiscite; public votes, polls and occasionally referenda. The second view on democracy is radically different in that it sees the extent to which people can freely assemble, discuss and share ideas about vital social issues, organise themselves around these issues, and can freely voice their opinions in public fora, as a measure for just how democratic a given society is.

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        Finissage Really? Art and Knowledge in Time of Crisis - 29 September 2024 

        On Sunday September 29 the exhibition Really? Art and Knowledge in Time of Crisis concludes with a series of interlocked conversations that explore how artists address the erosion of trust in knowledge and the rise of disinformation, through their investigative and critical practices.

        Sunday September 29, 10.00 - 16.00
        Framer Framed, Amsterdam

        Hybrid off/online performance UKRAiNATV, 17.00 - 18.00

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        The Transborder Immigrant Tool: Violence, Solidarity and Hope in Post-NAFTA Circuits of Bodies Electr(on)/ic 

        This polyvocal, collectively authored paper describes the Transborder Immigrant Tool, a border disturbance art project developed by the Electronic Disturbance Theater. The paper outlines the motivations behind the tool and elaborates a notion of Science of the Oppressed as a methodology for developing locative media projects in solidarity with social movements. A shift is identified from Tactical Media to Tactical Biopolitics in contemporary media art. Walkingtools.net is also introduced as a platform for sharing technical information about locative media projects in order to create an ecology of projects. Poetic sustenance, part of the Transborder Immigrant Tool's functioning, is discussed in a context of Inter-American Transcendentalism.

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