Search results for 'culture jamming'

campaign

Maja Smerkar - In Defense of Artistic Freedom: Support Legal Action Against Political Abuse 

Maja Smrekar Legal Defense Fund 
Slovenian artist Maja Smrekar is taking legal action against a politically motivated smear campaign orchestrated by the far-right Slovenian Democratic Party (SDS)
In the lead-up to Slovenia’s 10th May referendum on pension reforms for awarded artists, SDS escalated its long-standing culture war—branding contemporary art as “degenerate” and weaponizing Smrekar’s internationally acclaimed K-9 Topology project to provoke moral panic.

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event

Connected Archives @DEAF 07, in Rotterdam 

Expert meeting (morning) and public presentations (afternoon) during the Dutch Electronic Art Festival (DEAF) 2007.
Organised by de Balie and Portsmouth University, ISEA and V2_ In collaboration with Virtual Platform.

Thursday 12 April
Expert meeting: 10.00 ? 13.00
Public presentations: 15.00 ? 18.00

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article

Publication: Legacies of Tactical Media - The Tactics of Occupation: From Tompkins Square to Tahrir. 

Out now and available for download:
INC Network Notebooks 05 - Legacies of Tactical Media
Tactical Media employ the 'tactics of the weak' to operate on the terrain of strategic power by means of 'any media necessary'. Once the rather exclusive practice of politically engaged artists and activists, the tactical appropriations of media tools and distribution infrastructures by the disenfranchised and the disgruntled have moved from the margins to centre stage.

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article

Signs of the Times: the Popular Literature of Tahrir 

Protest Signs, Graffiti, and Street Art - a special issue of Shahadat

This issue takes as its focus the popular literature of the Egyptian Revolution. Drawing on protest signs, graffiti, and street art in Tahrir to read the culture of resistance particular to the Egyptian Revolution, the curators examine how protesters changed the political narrative through the use of images, memorials, and expressions of daily life.  Featuring examples from an extensive gallery of online images culled from the collections of several prominent Egyptian journalists and activists, the online piece is a visual tour of some of the creative production of Egypt's Revolution.  A collaborative curation project split between New York City and Cairo, this is ArteEast's first critical look at the cultural production related to recent political developments in the Middle East.
- Co-curators, Rayya El Zein & Alex Ortiz.

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article

Viridian Note 00029: The Interfund 

From: Bruce Sterling <bruces {AT} well.com>
Date: Mon, 14 Dec 1998 22:59:27 -0600 (CST)
Sender: owner-nettime-l {AT} basis.Desk.nl

Key concepts:  art movements, Internet, reputation economics, arts grants, Europe, Interfund


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article

Do It With Others (DIWO): Participatory Media in the Furtherfield Neighbourhood 

The Furtherfield community utilizes networked media to create, explore, nurture and promote the art that happens when connections are made and knowledge is shared - across the boundaries of established art-world institutions and their markets, grass-roots artistic and activist projects and communities of socially-engaged software developers. This is a spectrum that engages from the maverick media-art-makers and small collectives of cross-specialist practitioners, to projects that critique and change dominant hierarchical structures as part of their art process.

This text will provide a brief background as to how Furtherfield, a non-profit organization and community, came about and how it extends the DIY ethos of some early net art and tactical media, said to be motivated by curiosity, activism and precision, [01] towards a more collaborative approach that Furtherfield calls Do It With Others (DIWO).

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event

1st ArtLeaks Working Assembly 2012 

ArtLeaks invites you to a public working assembly around the issues that are at the core of the group's mission - exposing instances of abuse, corruption and exploitation in the art world. This is the official public launch of our platform, which began to operate in September 2011, and will be followed by a series of debates and workshops in the near future. These present a unique opportunity to engage more directly with conditions of cultural work that affect not only artists but creative workers in general: those from the traditionally creative fields as well as those generally involved in cultural production.

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person

Calin Dan

Artist Born 1955, Arad, Romania Based in Amsterdam and Bucharest MA in Art History & Theory. Initial career as art journalist, free lance curator and cultural manager (with the Soros Foundation, Romania). From 1990 involved in various cross media projects independently and within the art duo subREAL. Developer of multi-media projects with V2 Lab for the Unstable Media, Rotterdam. Creative Director for rich media platforms - Lost Boys Interactive, Amsterdam. Contributions to mainstream and alternative publications on internet related topics. Consultant for the Dutch Fund for Visual Arts, Design and Architecture. Various teaching positions. Lately pursues an independent research on the interplay between citizens and their habitat - the Emotional Architecture.

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article

Tactical Media in Brazil - Submidialogia conference report 

The four-day conference on the campus of the Universidade Estadual de Campinas (Unicamp) brought together many key persons from the tactical media movement of Brazil and some of their counterparts in the Brasilian government.
The movement is converging from roots in free radio, free software, hardware hacking, art and social movements. It is currently focussed around a large-scale project master-minded by Claudio Prado and supported by the Ministry of Culture: ?Pontos de Cultura? (Culture Spots) which is aiming to empower up to 600 cultural projects with free software-based multimedia production and publication facilities.

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article

Manifesto of the association Real Democracy Now (English) 

We are ordinary people. We are like you: people, who get up every morning to study, work or find a job, people who have family and friends. People, who work hard every day to provide a better future for those around us.
Some of us consider ourselves progressive, others conservative. Some of us are believers, some not. Some of us have clearly defined ideologies, others are apolitical, but we are all concerned and angry about the political, economic, and social outlook which we see around us: corruption among politicians, businessmen, bankers, leaving us helpless, without a voice.
This situation has become normal, a daily suffering, without hope. But if we join forces, we can change it. It's time to change things, time to build a better society together.

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article

Engaging Ambivalence 

Interventions in Engineering Cultures

The most significant underwriter of engineering research in the United States is the Department of Defense, largely acting through the Defense Advanced Research Projects Agency (DARPA). DARPA exists to channel funds from the military to academic and corporate research labs in exchange for technological innovations that serve the needs of its clients - the Army, Navy, Air Force, and Marines. As DARPA public relations officers are fond of pointing out, innovations funded by DARPA grants may also find expression in civilian applications, particularly in the communications and aerospace industries.

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