Search results for 'architecture'

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CAE: Framing Tactical Media 


Anyone involved with "tactical media" (TM) before its famed christening in 1996 at the Next Five Minutes had to know that naming this cultural/political tendency was going to have some very negative repercussions. The naming was the first step in doing what TM feared the most°Xclaiming cultural territory doomed to house haunting archives. Once given an official title, so many nasty processes could begin - most significantly, the construction of historical narratives. So many narratives already exist explaining this ephemeral, immediate, specific, and deterritorialized process of cultural production that seemed so urgent to so many radical subjects in the early 90s.

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The Information war 

Humanity has always invested heavily in any scheme that offers escape from the body. And why not? Material reality is such a mess. Some of the earliest "religious" artefacts, such as Neanderthal ochre burials, already suggest a belief in immortality. All modern (i.e. post-paleolithic) religions contain the "Gnostic trace" of distrust or even outright hostility to the body and the "created" world. Contemporary "primitive" tribes and even peasant-pagans have a concept of immortality and of going-outside-the-body (ec-stasy) without necessarily exhibiting any excessive body-hatred. The Gnostic Trace accumulates very gradually (like mercury poisoning) till eventually it turns pathological. Gnostic dualism exemplifies the extreme position of this disgust by shifting all value from body to "spirit". This idea characterizes what we call "civilization".

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    REALLY? - Art and Knowledge in Time of Crisis 

    Opening on 22 June 2024 at Framer Framed, the exhibition Really? Art and Knowledge in Time of Crisis highlights the ways in which the scientific disciplines – historically associated with truth-telling – are increasingly used by cynical actors of big corporations and rogue governments alike to obscure, mislead and effectively capitalise and weaponise ignorance. The exhibition is curated by David Garcia and Mi You.

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    A New Geography of Power? 

    The formal political system today faces a new geography of power. Globalization and the new technologies have contributed to the shrinking of state authority and the explosion of a whole series of new actors engaged in governance activities. The current phase of the world economy is characterized by significant discontinuities with the preceding periods and radically new arrangements. This becomes particularly evident in the impact of globalization on the geography of economic activity and on the organization of political power. There is an incipient unbundling of the exclusive authority over its territory we have long associated with the nation-state.

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    SWARMACHINE 

    Activist Media Tomorrow*

    * BH: When I wrote this text five years ago, it really was not clear whether the swarming tactics of the counter-globalization movement would get a "second chance." But they have, and now the subtitle could be "activist media today."

    What happened at the turn of the millennium, when a myriad of recording devices were hooked up to the Internet and the World Wide Web became an electronic prism refracting all the colors of a single anti-capitalist struggle? What kind of movement takes to the barricades with samba bands and videocams, tracing an embodied map through a maze of virtual hyperlinks and actual city streets? The organizational aesthetics of the networked movements was called "tactical media," a concept that mixed the quick-and-dirty appropriation of consumer electronics with the subtle counter-cultural anthropology of Michel de Certeau. The idea was to evoke a new kind of popular subjectivity, constitutionally "under the radar," impossible to identify, constantly shifting with the inventions of digital storytelling and the ruses of open-source practice. Too bad so much of this subversive process was frozen into a single seductive phrase.

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    Finissage Really? Art and Knowledge in Time of Crisis - 29 September 2024 

    On Sunday September 29 the exhibition Really? Art and Knowledge in Time of Crisis concludes with a series of interlocked conversations that explore how artists address the erosion of trust in knowledge and the rise of disinformation, through their investigative and critical practices.

    Sunday September 29, 10.00 - 16.00
    Framer Framed, Amsterdam

    Hybrid off/online performance UKRAiNATV, 17.00 - 18.00

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    Wikileaks and Freedom, Autonomy and Sovereignty in the cloud 

    "We have to be very attentive and united at a state level to fight against what is a threat to democratic authority and sovereignty,"
    - French government spokesman Francois Baroin speaking out against wikileaks releasing US diplomatic cables.

    "Governments of the Industrial World, you weary giants of flesh and steel, I come from Cyberspace, the new home of Mind. On behalf of the future, I ask you of the past to leave us alone. You are not welcome among us. You have no sovereignty where we gather."
    - A Declaration of the Independence of Cyberspace, John Perry Barlow

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    The Brazilian Context 

    Many are the social, political or economic problems in Brazil. Socially, there's an extremely unequal distribution of wealth. Such a big social unequality is reflected, for example, in the extreme differences between the center and the periphery in the big cities, regional unequalities, criminality, racism. Besides that, we live in an unnoficial police state that acts in defense of the elites, murdering and arresting poorer citzens, because of the color of their skin or social condition.

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    The Flexible Personality: For a New Cultural Critique 

    The events of the century's turn, from Seattle to New York, have shown that a sweeping critique of capitalist globalization is possible, and urgently necessary-before the level of violence in the world dramatically increases. The beginnings of such a critique exist, with the renewal of "unorthodox" economics. [1] But now one can look further, toward a critique of contemporary capitalist culture.

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