Tjebbe van Tijen
Tjebbe vam Tijen is a Dutch artist, theorist and curator.
ReadTjebbe vam Tijen is a Dutch artist, theorist and curator.
ReadOn Sunday September 29 the exhibition Really? Art and Knowledge in Time of Crisis concludes with a series of interlocked conversations that explore how artists address the erosion of trust in knowledge and the rise of disinformation, through their investigative and critical practices.
Sunday September 29, 10.00 - 16.00
Framer Framed, Amsterdam
Hybrid off/online performance UKRAiNATV, 17.00 - 18.00
Privacy, copyright, classified documents and state secrets, but also spontaneous network phenomena like flash mobs and hashtag revolutions, reveal one thing – we lost control over the digital world. We experience a digital tailspin, or as Michael Seemann calls it in this essay: a loss of control or Kontrollverlust. Data we never knew existed is finding paths that were not intended and reveals information that we would never have thought of on our own.
ReadOn Saturday, September 26th 2009, 11 am, the "Cities and the New Wars" conference organized by Saskia Sassen will host the 9th edition of the Dictionary of War.
Read1. Internet culture will bring the US, Western Europe, and the UK closer in to mental alignment,
The Strategies for Tactical Archives conference investigates how documentation and archiving can feed into living practices of activists, artists and media makers that address the position of communities who feel aggrieved or excluded from the wider public culture.
The program consists of a public keynote lecture on Friday evening October 27 (starting 19.30) by Sarah Schulman, writer, activist and co-initiator of the ACTUP Oral History Project and author of Let the Record Show - A Political History of ACTUP New York, 1987-1993. This is followed by a one day conference on Saturday October 28 (10-17 hrs.) at Nieuwe Instituut, Rotterdam.
Please join Not An Alternative, Eyebeam Art and Technology Center, and
Upgrade NY! this Thursday, June 10 for the opening of Re:Group: Beyond
Models of Consensus, an exhibition which examines models of
participation and participation as a model in art and activism.
Re:Group proposes that with participation now a dominant paradigm,
structuring social interaction, art, activism, the architecture of the
city, the internet, and the economy, we are all integrated into
participatory structures whether we want to be or not. The exhibition
showcases work that subverts existing systems or envisions new
alternatives to the ways in which individuals can take part, or choose
not to take part, in social and cultural life.
How does digital work differ from its analogue forms?
Although developed for military and corporate purposes, digital technologies also create oportunites for working people. With these amazing tools, we are not only able to invent new aesthetic forms, but also can work in more satisfying ways. Above all, digital technologies can allow us to rediscover the dignity of artisan labour without losing the material benefits delivered by the analogue working methods of Fordism. Over the past two centuries, industrialisation has slowly replaced skilled craft labour with repetitive factory and office work. In the Fordist factory, even the pace of working can be determined by the speed of the assembly lines. For most of this century, people have grudgingly accepted the boring nature of their jobs. In return, they have been given enough wages to buy large amounts of goods and services produced by Fordist industrialisation. However, once their living standards are sufficient, most people also want to enjoy satisfaction in their work. They don't just want money, but also respect.
Out now and available for download:
INC Network Notebooks 05 - Legacies of Tactical Media
Tactical Media employ the 'tactics of the weak' to operate on the terrain of strategic power by means of 'any media necessary'. Once the rather exclusive practice of politically engaged artists and activists, the tactical appropriations of media tools and distribution infrastructures by the disenfranchised and the disgruntled have moved from the margins to centre stage.
A public research trajectory tracing the legacies of Tactical Media and its connections to the present.
Tactical Media Connections is an extended trajectory of collaborative research tracing the legacies of Tactical Media and mapping the relationships between its precursors and its progeny. The program is realised through a series of meetings and exhibitions, culminating in the publication of a Tactical Media Anthology with contributions and dialogues ranging across generations and territories.
An interview with a Syrian activist in exile, code-named Sami, published by Occupy.com draws attenton once more to the radical experiment in real-life bottom-up matriarchal democratic design unfolding against all odds in the autonomous Kurdish region of Rojava in Northern Syria. We are republishing two short texts here on this subject matter to speculate about the question if 'Rojava' could offer a repeatable model for post-governmental political design?
Our esteemed colleague, Ola Bini, is being detained as a political prisoner in Ecuador. Please take action to show your support:
Sign our solidarity letter from the tech community
Follow @FreeOlaBini, tweet #FreeOlaBini and visit freeolabini.org for updates
Email support@freeolabini.org if you want to help with these campaign efforts
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This workshop follows on from the Moving Forest event on July 4 as a coda, giving a time for reflection and for developing the argument and experience of the work along other lines. It involves participants, organisers and guests, and people from CCW, CCS, RADA and activists, artists and others from across the sprawl.
ReadLaboratory of Insurrectionary Imagination
This guide is not a road map or instruction manual. It's a match struck
in the dark, a homemade multi-tool to help you carve out your own path
through the ruins of the present, warmed by the stories and strategies
of those who took Bertolt Brecht's words to heart: "Art is not a mirror
held up to reality, but a hammer with which to shape it."
After a one year break the DICTIONARY OF WAR continues with a fifth edition on January 25th and 26th, 2008 in Novi Sad, Serbia. Again 25 new concepts on the topic of war will be presented in alphabetical order by artists, theorists, filmmakers, scientists, researchers. Loosely based on the slogan: "At least, when we create concepts, we are doing something" DICTIONARY OF WAR is a collaborative platform for creating concepts.
ReadSynopsis
"...afterwards, of course, there were endless discussions about the
shooting of the elephant. The owner was furious, but he was only an
Indian and could do nothing. Besides, legally I had done the right
thing, for a mad elephant has to be killed, like a mad dog, if it's
owner fails to control it".
Call to join the cybernetic edition of CompArte "Against Capital and its Walls, All the Arts"
July, 2017
International public seminar and evening screening program on the recent outbursts of social protest and their media strategies, hosted by De Balie, centre for culture and politics in Amsterdam, Friday September 30, 2011.
Software has, over the last few years, increasingly come into view as a cultural technique whose social and political impact ought to be studied carefully. To the extent that social processes rely on software for their execution - from systems of e-government and net-based education, online banking and shopping, to the organisation of social groups and movements -, it is necessary to understand the procedural specificities of the computer programmes employed, and the cultural and political 'rules' coded into them.