Search results for 'design'


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Finissage Really? Art and Knowledge in Time of Crisis - 29 September 2024 

On Sunday September 29 the exhibition Really? Art and Knowledge in Time of Crisis concludes with a series of interlocked conversations that explore how artists address the erosion of trust in knowledge and the rise of disinformation, through their investigative and critical practices.

Sunday September 29, 10.00 - 16.00
Framer Framed, Amsterdam

Hybrid off/online performance UKRAiNATV, 17.00 - 18.00

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Digital Tailspin: Ten Rules for the Internet After Snowden 

Privacy, copyright, classified documents and state secrets, but also spontaneous network phenomena like flash mobs and hashtag revolutions, reveal one thing – we lost control over the digital world. We experience a digital tailspin, or as Michael Seemann calls it in this essay: a loss of control or Kontrollverlust. Data we never knew existed is finding paths that were not intended and reveals information that we would never have thought of on our own.

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Strategies for Tactical Archives: Public keynote lecture and conference, October 27 - 28, 2023 

The Strategies for Tactical Archives conference investigates how documentation and archiving can feed into living practices of activists, artists and media makers that address the position of communities who feel aggrieved or excluded from the wider public culture.

The program consists of a public keynote lecture on Friday evening October 27 (starting 19.30) by Sarah Schulman, writer, activist and co-initiator of the ACTUP Oral History Project and author of Let the Record Show - A Political History of ACTUP New York, 1987-1993. This is followed by a one day conference on Saturday October 28 (10-17 hrs.) at Nieuwe Instituut, Rotterdam.

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Re:Group: Beyond Models of Consensus 

Please join Not An Alternative, Eyebeam Art and Technology Center, and Upgrade NY! this Thursday, June 10 for the opening of Re:Group: Beyond Models of Consensus, an exhibition which examines models of participation and participation as a model in art and activism.

Re:Group proposes that with participation now a dominant paradigm, structuring social interaction, art, activism, the architecture of the city, the internet, and the economy, we are all integrated into participatory structures whether we want to be or not. The exhibition showcases work that subverts existing systems or envisions new alternatives to the ways in which individuals can take part, or choose not to take part, in social and cultural life.

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Frequently Asked Questions: Digital Work 

How does digital work differ from its analogue forms?

Although developed for military and corporate purposes, digital technologies also create oportunites for working people. With these amazing tools, we are not only able to invent new aesthetic forms, but also can work in more satisfying ways. Above all, digital technologies can allow us to rediscover the dignity of artisan labour without losing the material benefits delivered by the analogue working methods of Fordism. Over the past two centuries, industrialisation has slowly replaced skilled craft labour with repetitive factory and office work. In the Fordist factory, even the pace of working can be determined by the speed of the assembly lines. For most of this century, people have grudgingly accepted the boring nature of their jobs. In return, they have been given enough wages to buy large amounts of goods and services produced by Fordist industrialisation. However, once their living standards are sufficient, most people also want to enjoy satisfaction in their work. They don't just want money, but also respect.

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    Publication: Legacies of Tactical Media - The Tactics of Occupation: From Tompkins Square to Tahrir. 

    Out now and available for download:
    INC Network Notebooks 05 - Legacies of Tactical Media
    Tactical Media employ the 'tactics of the weak' to operate on the terrain of strategic power by means of 'any media necessary'. Once the rather exclusive practice of politically engaged artists and activists, the tactical appropriations of media tools and distribution infrastructures by the disenfranchised and the disgruntled have moved from the margins to centre stage.

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    Tactical Media Connections update: May 1, 2015 

    A public research trajectory tracing the legacies of Tactical Media and its connections to the present.

    Tactical Media Connections is an extended trajectory of collaborative research tracing the legacies of Tactical Media and mapping the relationships between its precursors and its progeny. The program is realised through a series of meetings and exhibitions, culminating in the publication of a Tactical Media Anthology with contributions and dialogues ranging across generations and territories.

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    Escaping Assad and Revolution in Rojava 

    An interview with a Syrian activist in exile, code-named Sami, published by Occupy.com draws attenton once more to the radical experiment in real-life bottom-up matriarchal democratic design unfolding  against all odds in the autonomous Kurdish region of Rojava in Northern Syria. We are republishing two short texts here on this subject matter to speculate about the question if 'Rojava' could offer a repeatable model for post-governmental political design?

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    A User's Guide to Demanding the Impossible 

    Laboratory of Insurrectionary Imagination

    This guide is not a road map or instruction manual. It's a match struck in the dark, a homemade multi-tool to help you carve out your own path through the ruins of the present, warmed by the stories and strategies of those who took Bertolt Brecht's words to heart: "Art is not a mirror held up to reality, but a hammer with which to shape it."

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    Dictionary of War - Novi Sad Edition 

    After a one year break the DICTIONARY OF WAR continues with a fifth edition on January 25th and 26th, 2008 in Novi Sad, Serbia. Again 25 new concepts on the topic of war will be presented in alphabetical order by artists, theorists, filmmakers, scientists, researchers. Loosely based on the slogan: "At least, when we create concepts, we are doing something" DICTIONARY OF WAR is a collaborative platform for creating concepts.

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    To Shoot an Elephant 

    Synopsis

    "...afterwards, of course, there were endless discussions about the shooting of the elephant. The owner was furious, but he was only an Indian and could do nothing. Besides, legally I had done the right thing, for a mad elephant has to be killed, like a mad dog, if it's owner fails to control it".

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    Notes on the Politics of Software Culture 

    Software has, over the last few years, increasingly come into view as a cultural technique whose social and political impact ought to be studied carefully. To the extent that social processes rely on software for their execution - from systems of e-government and net-based education, online banking and shopping, to the organisation of social groups and movements -, it is necessary to understand the procedural specificities of the computer programmes employed, and the cultural and political 'rules' coded into them.

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