Dr. Steven Kurtz-the artist accused of bioterrorism in federal
court-will make his first public appearance following the dismissal of
his case
Thursday, May 29, 2008, 7PM
Eyebeam 540 W. 21st St. (btw 10th and 11th Aves.)
Free and open to the public
In solidarity with and participation in the popular uprisings taking place across Lebanon against the current systems of power, we the undersigned cultural organizations and structures collectively commit to Open Strike, and call for our colleagues in the cultural sector to join us.
ReadIstanbul, October 31 & November 1, SALT Beyoglu and SALT Galata.
The 10th annual meeting of Video Vortex is to be hosted in Istanbul at venues and institutions around GALATA all involved in this year's topics: art, activism and archives..
A live benefit concert and performance event with Snowcrash (.nl), The Yesmen and Critical Art Ensemble in support of artist Steven Kurtz and scientist Robert Ferrell, both threatened by an unjustifiable prosecution for "bioterrorism".
Presented in collaboration with:
Transmediale Festival, Berlin
& The Arts Catalyst, London
Media Art in the Public Domain
Debates & Credits was a Russian / Dutch art and media project which has invited four artists and artist collectives from Russia and four from The Netherlands to develop interventionist (media-) art works for the public space.
The project happened in three stages:
Amsterdam, September 11 - 22
Yekaterinburg, September 26 - 29
Moscow, October 7 - 13
A public debate at Framer Framed, Tolhuistuin, Amsterdam, Sunday July 6, 2014 - 14.00 - 17.00 hrs.
The relationship between art and political conflict has been
significantly reshaped by the proliferation of digital media and the
internet as a means of instant dissemination of images, texts, and
audiovisual expressions. Artistic /activist actions intervene via these
digital means into an expanded symbolical space that is no longer the
sole sanctuary of artists and art audiences, but instead has become the
'neural fibre' of everyday life.
Call to join the cybernetic edition of CompArte "Against Capital and its Walls, All the Arts"
July, 2017
The avant-garde never gives up. And tactical media has produced (at least) three different theaters of operation to wage its struggle: media activism, pure tactical aesthetics, and net conceptualism. The first allows for "formal" net.art tactics (materialist, structural), the latter two allow for "real" net.art tactics (native presence, site-specificity).
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